US Petty Officer 2nd Class Marissa Geata and her partner, Petty Officer 3rd Class Citlaic Snell, showed that, indeed, Don’t Ask, Don’t Tell is dead. The couple shared a kiss in the Navy tradition: winning a raffle for the first kiss on the pier after a ship returns from sea.
The coming-of-age novel is a lot older than most of its protagonists. Gabriel Roth and sometime Millions contributor Kristopher Jansma will discuss the history of the genre at 7 p.m. on Monday, October 28 at the Center for Fiction in New York City. You can read Jansma's past Millions essays on watching The Killing and searching for lost J.D. Salinger stories.
Our friends at The Common have organized a Postcard Auction, and you have until May 20 to bid online. Users can bid on the chance to have well-known authors – such as Adam Johnson, Téa Obreht, Chris Ware, and Kiese Laymon – send handwritten postcards to the address of their choosing. Come on, now. This is your chance to get a handwritten note from an Orange Prize-winner.
What if a treasure hunt in a book crossed over into the real world? Author Kit Williams buried a prize and left clues to its location in his novel, Masquerade. The search drove England crazy. Our own Hannah Gersen maps the imaginary in her essay about how authors organize their manuscripts.
School hasn’t started back up yet, so if you’re looking for ways to entertain your kids until the end of Summer, I recommend perusing NPR’s round-up of “100 Must-Reads For Kids 9-14.” (Or, you know, tell them to just go outside already. And to be sure to shut the door to keep the air conditioning in.)
"Eleven years later, the Atlantic Monthly editor, Thomas Wentworth Higginson, made a similar request to an obscure, retiring poet named Emily Dickinson who had written a letter asking if her verses 'breathed.' Her response was much like Melville’s, if typically elliptical: 'Could you believe me—without? I had no portrait, now, but am small, like the Wren, and my Hair is bold, like the Chestnut Bur—and my eyes, like the Sherry in the Glass, that the Guest leaves—Would this do just as well?'" The age-old problem: how writers deal with publicity.