In An Unquenchable Thirst by Mary Johnson, the former nun, who served alongside Mother Teresa, details her disenchantment with the religious life she once found so appealing.
“They found, unsurprisingly, that blocked writers were unhappy. Symptoms of depression and anxiety, including increased self-criticism and reduced excitement and pride at work, were elevated in the blocked group; symptoms of obsessive-compulsive disorder, such as repetition, self-doubt, procrastination, and perfectionism, also appeared, as did feelings of helplessness and ‘aversion to solitude’—a major problem, since writing usually requires time alone.” On the causes of writer’s block.
April Bernard is not a fan of Writers’ Houses because she does not believe the “private life, even of the dead, is ours to plunder.” Earlier this year, our own Luke Epplin also noted some of the limitations of Writers’ Houses.
Adonis, the great Syrian poet, has reproduced and adapted one of the ancient Muallaqat (The Suspended Odes) originally written by Zuhayr. The reproduction is hand-written on a scroll of paper, and then painted on, thereby “creating a new and contemporary interpretation of the text.”
“The average American three-year-old can recognize 100 brands,” says prominent advertising and marketing guru Martin Lindstrom. Are we being Brandwashed? For The New York Times, Steven Heller tracks the history of corporate symbols and branding.
The CIA was known for unorthodox espionage techniques during the Cold War, but using Doctor Zhivago to undermine the U.S.S.R. is one of the strangest. The CIA helped print and distribute the banned book because it would make Soviets wonder “what is wrong with their government, when a fine literary work by the man acknowledged to be the greatest living Russian writer is not even available in his own country in his own language for his own people to read.”