In An Unquenchable Thirst by Mary Johnson, the former nun, who served alongside Mother Teresa, details her disenchantment with the religious life she once found so appealing.
“Writers teach, not writing per se, but how to engage in writing as a process and a means of perception. The actual work of writing is seldom sublime. It’s a struggle that grows more difficult if we avoid it. Writing is often excruciatingly slow and repetitive. Time, in slipping and sliding, makes itself felt and immediate. Words are the way in, but nothing is guaranteed. What writers or readers can do with language, or understand inside it, depends on what they know—on refining their sensibilities, on writing, revising, waiting, reading, writing, as though living in language were life and death.” Year in Reading alumna Jayne Anne Phillips writes for the Literary Hub about the importance of writing programs. For more on the debate, check out Hannah Gersen’s Millions essay.
Tom Wolfe’s next book will be a “nonfiction account of the animal/human speech divide,” reports Sarah Weinman. Presumably this effort – entitled The Kingdom of Speech – will be based on the author’s “Human Beast” lecture from 2006. (A lecture he went on to explicate in a 2008 interview with SF Gate.) Hopefully the Great White Suit’s return to straight nonfiction will prove more successful than his attempt at fictionalizing Miami last year.
Michael Diamond (aka Mike D) and Adam Horovitz (Ad-Rock) have signed on to write a Beastie Boys memoir for Spiegel & Grau. The book is scheduled to publish in 2015. However if you need your Beastie fix now, you can head on over to Brooklyn’s Palmetto Playground tomorrow for its renaming ceremony. Its new name? Why, Adam Yauch (MCA) Park, of course.
“Their reporting led to Mr. Weinstein’s firing and set off a national conversation about the prevalence of sexual assault and harassment.” New York Times reporters Jodi Kantor and Megan Twohey will publish a book with Penguin Press about the recent sexual abuse and harassment allegations that have rocked the country. From our archives: Hannah Gersen‘s essay about seeing and hearing women in film.