Thursday 11/10, come on down to 60 Wall Street for a marathon reading of Herman Melville‘s Bartleby, the Scrivener. The story was in part tied to the Occupy Wall Street movement by Hannah Gerson in a great piece for us last month.
It’s not always a given that good people make good characters. Over at The Atlantic, Tony Tulathimutte explains how none other than one Philip Roth taught him the importance of showing every aspect of your characters–even the bad ones. Here’s an older piece from the same series in which Paul Lisicky writes about Flannery O’Connor and her “flawed characters.”