Thursday 11/10, come on down to 60 Wall Street for a marathon reading of Herman Melville‘s Bartleby, the Scrivener. The story was in part tied to the Occupy Wall Street movement by Hannah Gerson in a great piece for us last month.
As a cultural center with a very different makeup than the various home bases of the publishing world, Los Angeles often gets short shrift in discussions of literary cities. At the LARB (naturally), Sarah-Jane Stratford writes about the city’s importance to speculative literature, with an emphasis on the works of Ray Bradbury. Related: Tanjil Rashid on Bradbury’s Middle East connection.
“It’s part of Jane Austen’s genius that she can bring the maximum of drama and momentousness to the most minimal of occasions.” Here is David Denby from The New Yorker on reading (and listening to) Austen’s Emma, which is celebrating its two-hundredth year in print. We’ve brought you a bunch of bits on Austen in the past.
“Reading fiction is one of my true loves, but essays help me to understand things about the world, the writer, and if they’re really great, myself.” Electric Literature‘s Jason Diamond argues 2014 was “The Year of the Essay,” and when we think over the collections published this year – The Empathy Exams, The Unspeakable and Loitering, among others – it’s hard to disagree.
Few things are more individual than your feelings about e-books. Dustin Illingworth can’t stand them — as he puts it, “books are meant to be handled and smelled.” At Full-Stop, he writes about what this preference reveals about himself. You could also read our tribute to e-book pioneer Michael Hart.
Longshot is an online magazine with quite an interesting concept: “Over a 48 hour period from noon July 29, 2011, through noon July 31, 2011, thousands of writers, editors, artists, photographers, programmers, videographers, and other creatives from all around the world will come together via the Internet to make a magazine from start to finish.” This issue’s theme is “Debt” and you can follow its progress via Tumblr.
“Being nominated for an award feels the way I imagine winning the lottery must feel: You’re deeply grateful and a little disoriented, you feel very lucky, and you know that it could just as easily have been someone else.” Our own Emily St. John Mandel writes about “the vast distance between literary prizes and literary work” and reading Norman Mailer for The Atlantic‘s By Heart series (which we’ve covered many, many times before).
“Literature can use secrecy as a device to ensnare readers, to pull the wool over their eyes or to reveal to them things that the characters can’t see. Whether large – businessman by day, serial killer by night; or small – where a character silently yearns for an ex-lover.” Eli Goldstone compiles a list for The Guardian of 10 novels whose characters are concealing big secrets, including a few lesser-knowns like Shirley Jackson‘s We Have Always Lived in the Castle and New Finnish Grammar by Diego Marani.