Don DeLillo’s first short story collection, The Angel Esmerelda, is out this week, as is Magdalena Tulli’s genre-defying In Red. New in paperback are Cynthia Ozick’s Foreign Bodies and Steve Martin’s An Object of Beauty.
The semiotics-department backdrop to Jeffrey Eugenides’s new novel, The Marriage Plot, seems to have sparked a new mode of confessional writing. But Theorists are so seductive because they are, themselves, essentially literary.
When Electric Literature tells me that Jonathan Lee has “unleashed a literary bombshell of a novel,” I set aside my skepticism of the hyperbolic and give it a look. Lee’s High Dive “asks us to look at the plethora of thought and self-indulgence—that beautiful minutia—that flourishes in an unharmed life, and to consider how much generous freedom there is in nonviolence.”
“Crossover words are a tremendous testament to our awesome ability to shape the language as we use it. To master our fears. To take our terror and use it to build something terrific.” – Arika Okrent writes for The Week about irony, slang and the way language changes.