Glen Duncan, author of the genre novel The Last Werewolf, opened his New York Times review of Colson Whitehead‘s Zone One with this controversial line: “A literary novelist writing a genre novel is like an intellectual dating a porn star”. Understandably, this led to some uproar. Now he’s doubling down on his stance.
Sick of getting corrected for tiny grammatical mistakes? Turns out you may not be a forgetful person after all. According to a cognitive psychologist at the University of Wisconsin, our brains have a tendency to fall into bad grammatical habits, even when we know the rules we’re trying to follow. In The Washington Post, Andrew Heisel investigates. You could also read Fiona Maazel on the specter of commercial grammar.
Authors, are you struggling to get your book’s characters together? Are they lacking a little spark, a little intimacy? Well, have no fear. The folks at Open Road Media put together a video with Erica Jong, Lawrence Block, Patricia Gaffney, and a few more authors on The Art of Writing Sex Scenes. This should do the trick.
Daniel Hahn reminds us that translators are vastly under appreciated. To help combat this, he created the TA First Translation prize, an award that will go to a translator for a book's English-language debut. "There are many prizes in the book world, perhaps too many. But some exist not merely to reward one individual per year, but also to make a statement about what should be valued, and what we need more of. "
Summertime, another work of fictionalized autobiography (following Boyhood and Youth) from Nobel Laureate J.M. Coetzee arrives this week. Also, new this week is Psycho Too, an illustrated travelogue collaboration between Will Self and Ralph Steadman. Of the book, PW says "Self is far from a reliable tour guide, but his eye for seldom-trod byways and offbeat insights make him a diverting travel companion."