Glen Duncan, author of the genre novel The Last Werewolf, opened his New York Times review of Colson Whitehead‘s Zone One with this controversial line: “A literary novelist writing a genre novel is like an intellectual dating a porn star”. Understandably, this led to some uproar. Now he’s doubling down on his stance.
In Defense of Criticism
Use It Or Lose It
At least two people were not pleased with John Jeremiah Sullivan’s recent cover story in the New York Times Magazine. In a letter to the New York Observer (and an expanded post on Google+), Susannah McCormick – daughter of renowned music historian Robert “Mack” McCormick – alleges that Sullivan and his research assistant “glibly” stole her father’s research in an act of “quasi theft.” In his response, Sullivan asserts that, “by hiding L. V. Thomas’s voice, by refusing for over half a century to credit or even so much as name the two singers who created those recordings while they or their contemporaries were alive, Mack McCormick committed a theft—through negligence or writer’s block or whatever reasons of his own—far graver than my citation of interviews L.V. granted him decades ago.”
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Commitments
“In the morning, before we left, we presented my aunt with a gift from Indonesia, a package of luwak, one of four in Bon’s duffel. Civet coffee? she said, bemused. We were already savoring cups of coffee at her table, brewed in her coffee press from Arabica beans of her own supply.” An excerpt from Year in Reading alumnus Viet Thanh Nguyen’s forthcoming novel appears in the new issue of Ploughshares.
“Tongue-in-Cheek Tocqueville”
“‘So your idea is to drive across America and write about it without talking to a single American?’ ‘Yes.'” Karl Ove Knausgaard travels North America as “a tongue-in-cheek Tocqueville” for the New York Times Magazine. Pair with his piece for The Millions, “The View from My Window is a Constant Reminder,” and with Jonathan Callahan‘s reading of Knausgaard’s My Struggle.
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Tuesday New Release Day: Cole; Russell; Coover; Grossman; Long; Thompson; Pirzad
Teju Cole’s Every Day Is for the Thief is out this week, as is Karen Russell’s e-book novella Sleep Donation. Also out: The Brunist Day of Wrath by Robert Coover; Falling Out of Time by David Grossman; Bad Teeth by Dustin Long; The Land of Steady Habits by Ted Thompson; and The Space Between Us by Zoya Pirzad.
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The Shakespeare Oxford Society
Unsurprisingly, the Oxfordian theory-inspired blockbuster Anonymous is ruffling some feathers in college English departments. The “Shakespeare Oxford Society,” of course, has a rejoinder.
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