In this piece on “Southern Enlightenment“, Kevin Charles Redmon checks out John Jeremiah Sullivan‘s Pulphead and Frank Bill‘s Crimes in Southern Indiana for The Rumpus. In the process, he touches on Axl Rose and methamphetamines.
Coverage of The Late American Novel: Writers on the Future of Books (do you have your copy yet?) has been coming in at a steady clip: NYC publication CityArts takes a look; yours truly interviewed on The Marketplace of Ideas; Edward Champion offers a hasty response; the my co-editor sits down with his hometown paper.
This year’s Whiting Award winners have been announced. The award recognizes “ten emerging writers of fiction, nonfiction, drama, and poetry, and are based on the criteria of early-career achievement and the promise of superior work to come.” The winners include Catherine Lacey (of Nobody Is Ever Missing); Alice Sola Kim (of Mothers, Lock Up Your Daughters Because They Are Terrifying); and Ocean Vuong (of Night Sky with Exit Wounds, among other books).
“In the 1970s it circulated among Left Bank intellectuals, including Sartre and Bernard-Henri Lévy, as an aid to productive writing. In 1981 it was listed as a controlled substance in the US and in 1986, after it was scheduled under the WHO Convention on Psychotropic Substances, it was removed from prescription sale.” The London Review of Books reviews two histories about the role of drugs in the fighting of wars, Blitzed: Drugs In the Third Reich by Norman Ohler and Shooting Up: A History of Drugs in Warfare by Łukasz Kamieński Hurst. Both pay particular attention to Captagon (the name a portmanteau of “captain” and “pentagon”), a pharmaceutical that has become common throughout Eastern Europe, the Gulf States, India, and China, and by 2014 “had become a significant source of funding for all sides in Syria’s civil war.”