The Guardian‘s Max Liu highlights several rising star Asian American authors, including Year in Reading 2017 participant Jenny Zhang. “After years on the peripheries of US fiction and poetry, Asian American authors have stepped into the spotlight during 2017. Books by writers of east and south-east Asian heritage are one of the hottest trends this year. […] Transcultural writers, born to immigrant parents in the US or immigrants themselves as children, they are channelling their experiences into writing that, with perfect historical timing, challenges readers to resist attacks on immigrants’ rights and to see refugees as individuals with unique stories.”
“Every streetlight is a slightly different hue/of white the squares like the blank faces of robots/offer the Hondas and Toyotas idling in the lot something/like hope and yet I am thinking of all of the people on the planes/landing and taking off the twin miracles of arrival and departure/each of them singing ‘Take Me With You’ whether they know/the song or not they are all singing”. A poem written by Dean Rader on the day of Prince’s death.
The diary novel may be “an under-attended” genre, but Johannah King-Slutzky is trying to remedy that. In an essay for The Hairpin she traces the diary novel’s history from the Victorian era to Go Ask Alice while examining the genre’s balance of “melodrama and awkward moralizing” with the potential for subversion.
“If I was working against any existing Detroit narrative, it is the one where working-class black people exist as numbers or victims and not as fully-realized, complex people.” Angela Flournoy on her most recent work, The Turner House, a National Book Award finalist. We interviewed the author and reviewed the book.