Two literary titans in need of no introduction: Martin Amis reviews Don DeLillo‘s The Angel Esmeralda: Nine Stories.
Amis on DeLillo
The Long Goodbye
A lot of writers have alter-egos, but few are as interesting as Benjamin Black, the crime-writing persona of Irish novelist and Year in Reading alum John Banville. The author’s new novel adds an entry to the saga of a crime-fiction icon: Raymond Chandler’s Angeleno detective, Philip Marlowe.
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Next time I’d like a literary juice box too.
Yesterday Maria Popova, aka the mastermind behind Brain Pickings, launched her latest project: Literary Jukebox. I’m definitely gonna recommend this to Nick Moran for his next Great Tumblr Taxonomy.
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Why On Earth
“Why on earth would you start a literary magazine?” In an essay for The New Yorker Stephen Burt offers a wide variety of answers, from promoting a new genre to promoting one’s friends. His article pairs well with our own Nick Ripatrazone‘s lit mag question and answer: “What is the wider cultural influence of literary magazines? I am not sure there needs to be one.”
Standing on the Bridge of Grief
Over at Catapult, Benjamin Wood writes about his eulogy for his grandfather, which led to his writing of The Ecliptic. As he puts it, “Or maybe, in this time of grieving, I was thinking only with my heart until my head began to listen. Today, it seems as though the entirety of The Ecliptic was held within my consciousness before I ever glimpsed a piece of it, and grief was what enabled me to notice.” Pair with Nagihan Haliloğlu’s Millions review of the novel.
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Flying Mice
Seemingly from the realm of science fiction comes a recent announcement from NASA’s Jet Propulsion Laboratory: Scientists there have succeeded in levitating mice.
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Agent of Chaos
Recommended Reading: Daniel Marc Janes on the fictional namesakes of London’s mayor.
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Old Favorites
Looking for more thoughts on My Life in Middlemarch to supplement today’s interview? At Salon, Laura Miller reviews Rebecca Mead’s book, which she calls a “moving demonstration” of Middlemarch’s power. (You could also read Adelle Waldman’s Year in Reading piece about the novel.)
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