The Quarterly Conversation is kicking off its new “Long Essays” e-book series with Lady Chatterley’s Brother: Why Nicholson Baker Can’t Write About Sex, and Why Javier Marias Can.
Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. "If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives." On another side of the secrecy spectrum, Emma Straub writes about what it's like to keep a personal secret even as her literary life was booming.
“The magical aspect of poetry does not diminish the value of critical scrutiny. Scholarship has clarified the meaning of poetry. The point is rather that an essential part of poetry’s power has little connection to conceptual understanding. Poetry proffers some mysteries that lie beyond paraphrase.” Dana Gioia with a beautiful essay on the enchantment of poetry for The Dark Horse. Check out our extensive On Poetry archive and continue your journey of poetic enchantment.
"Creating a unique package for a book is really about making potential readers see the book as a singular thing in a sea of sameness. Something that has a soul." Jason Booher talks with Slate Book Review about the process of designing book covers in general and the cover of Forensic Songs, dubbed "the most awesome book cover of the summer," in particular.
Recommended reading: Biographile takes a month-by-month look back at the biggest news stories of 2014, and pairs each event with a recommended book.
"There is something terrifying but also fascinating about contemplating the end of humanity," and on Oct. 25th our own Edan Lepucki and Emily St. John Mandel (whose novel Station Eleven was just shortlisted for the National Book Award) will be discussing their recent apocalyptic fictions at the Texas Book Festival.