The Quarterly Conversation is kicking off its new “Long Essays” e-book series with Lady Chatterley’s Brother: Why Nicholson Baker Can’t Write About Sex, and Why Javier Marias Can.
TQC Launches E-Book Series
The Opposite of #AmWriting
Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. "If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives." On another side of the secrecy spectrum, Emma Straub writes about what it's like to keep a personal secret even as her literary life was booming.
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Rewarding Attention
At Brain Pickings, Maria Popova meditates on attention and the works of Simone Weil, among them Gravity and Grace. Popova writes that Weil “wrote beautifully of attention as contemplative practice through which we reap the deepest rewards of our humanity.”
Poetry As Enchantment
“The magical aspect of poetry does not diminish the value of critical scrutiny. Scholarship has clarified the meaning of poetry. The point is rather that an essential part of poetry’s power has little connection to conceptual understanding. Poetry proffers some mysteries that lie beyond paraphrase.” Dana Gioia with a beautiful essay on the enchantment of poetry for The Dark Horse. Check out our extensive On Poetry archive and continue your journey of poetic enchantment.
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“The Most Awesome Book Cover”
"Creating a unique package for a book is really about making potential readers see the book as a singular thing in a sea of sameness. Something that has a soul." Jason Booher talks with Slate Book Review about the process of designing book covers in general and the cover of Forensic Songs, dubbed "the most awesome book cover of the summer," in particular.
An Excerpt from the New Knausgaard
Here’s one for all you Knausgaard fans: Newsday has a short excerpt from My Struggle: Book Three. (Related: if you’re not yet a Knausgaard fan, allow Jonathan Callahan to extend an invitation to the club.)
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“Aftermath and Armageddon”
"There is something terrifying but also fascinating about contemplating the end of humanity," and on Oct. 25th our own Edan Lepucki and Emily St. John Mandel (whose novel Station Eleven was just shortlisted for the National Book Award) will be discussing their recent apocalyptic fictions at the Texas Book Festival.
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