The semiotics-department backdrop to Jeffrey Eugenides’s new novel, The Marriage Plot, seems to have sparked a new mode of confessional writing. But Theorists are so seductive because they are, themselves, essentially literary.
Semiotics and Jeffrey Eugenides
Mermaids and Capital
If the description “a comic thriller about mermaids, the natural world and ruthless capitalism” isn’t enough to pique your interest, you might be inspired to pick up Lydia Millet’s latest by the title of Laura Miller’s review, which describes Millet as “the P.G. Wodehouse of environmental writing.” At Salon, the book critic goes into the many reasons she enjoys Millet’s work, among them the author’s knack for deploying humor at appropriate times. FYI, Millet wrote an article for The Millions recently.
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Writing on Mute
Even though James McBride (new National Book Award winner for The Good Lord Bird) is an accomplished jazz musician, he doesn’t listen to any music while writing. “Because I’m a musician, listening to music is…it’s a bit like work for me,” he told The Daily Beast for the “How I Write” series.
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“This recent column was just bonkers”
Catching you up to speed with two recent literary controversies: 1) Poets & Writers‘ MFA rankings kerfuffle gets a climactic and eloquent summary from The Missouri Review‘s Michael Nye. 2) In response to her Salon article, “How the National Book Awards made themselves irrelevant,” Victor LaValle has some fightin’ words for Laura Miller.
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Tourney Time!
The Morning News has announced the list of judges and, more importantly, the books in contention for the 2011 Tournament of Books. Yours truly is among the judges again this year and very excited for the action to get underway.
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Heineken Price is Going to Double
“A classic hustler and survivor … a type who never starts revolutions but who always figures out how to benefit from whatever the New Order is.” Some dispatches from a punk tour of the Balkans by Franz Nicolay, who may or may not be an asshole, big time.
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From the Mixed Up Files of DFW
Newsweek takes an “infinitely fascinating quest” through David Foster Wallace’s just-released archive at University of Texas’ Harry Ransom Center.