Do you have 153 hours to kill? Do you love long French masterworks? If so, the folks at Naxos AudioBooks might have something up your alley. At 120-discs, publisher Nicolas Soames believes his company’s unabridged audiobook for Marcel Proust’s Remembrance of Things Past might just be the longest audiobook in existence. (Note: that means you’d still have 23 hours of the audiobook left after making this drive around the country.)
“We are not trying to point fingers or prosecute. I am just trying to solve the last case of my career. There is no statute of limitation on the truth.” A retired FBI agent has launched a cold case review into identifying those who may have betrayed Anne Frank‘s hiding place to the Gestapo in 1944, reports The Guardian.
Adam Mansbach’s Go The F**k to Sleep took the children’s book market — or at least the number of adults talking about the children’s book market — to a whole new level last summer. Then, weeks later, Samuel L. Jackson read parts of the story for its book trailer, and people freaked out all over again. Well, prepare yourselves yet again, folks. Now somebody’s remixed that recording into the most badass (NSFW) lullaby of all time.
Here are the first lines of the new Gary Shteyngart novel, Super Sad True Love Story, forthcoming in July: “Today I’ve made a major decision: I am never going to die. Others will die around me. They will be nullified. Nothing of their personality will remain. The light switch will be turned off.”
When Belarusian investigative journalist Svetlana Alexievich won the Nobel Prize earlier this year, her horrifying and poetic book Voices From Chernobyl exposed a great many readers to the Chernobyl disaster. Now, this piece from The Atlantic takes a look at Chernobyl’s literary legacy over the past three decades.
“Writing difference is a challenge, particularly in fiction. How do men write women and vice versa? How do writers of one race or ethnicity write about people of another race or ethnicity? More important, how do writers tackle difference without reducing their characters to caricatures or stereotypes?” Roxane Gay reviews Joyce Carol Oates‘s The Sacrifice and simultaneously explains how to write difference well. Hint: it “demands empathy, an ability to respect the humanity of those you mean to represent.”
“Almost as soon as the concept of the Great American Novel was invented, in the nation-building years after the Civil War, Buell finds it being mocked, noting that one observer dryly put it into the same category as ‘other great American things such as the great American sewing-machine, the great American public school, and the great American sleeping-car.’ It was enough of a cliché by 1880 for Henry James to refer to it with the acronym ‘GAN,’ which Buell employs throughout his book.” On the reigning gold standard for quality in American fiction. (Related: we asked nine experts their picks for the best American novel.)
David Orr writes for The New York Times about Christopher Gilbert’s new collection of poems, Turning Into Dwelling, and the importance of innovation in poetry. As he puts it, “One of the hidden strengths of art is that there is always the possibility that what had seemed like a final breath may simply be the long pause before a new inhalation.” Pair with Andrew Kay’s Millions essay on the power of poetry.