A. A. Knopf and Doubleday publishers have gathered Spotify playlists by such notables as Colson Whitehead, Jennifer Egan, Erin Morgenstern, and a selection of songs and artists mentioned in Haruki Murakami‘s 1Q84.
In his new book, one of three coming out now or soon, Australian poet Clive James assembles his decades of knowledge into a series of mini-essays, many of which originally appeared in Poetry magazine. At Slate, Katy Waldman reads the collection, explaining why it gave her the urge to quote James ad infinitum. You could also read our own Garth Risk Hallberg on the poet’s book Cultural Amnesia.
We’ve grappled before with the dark world of Kindle self-publishing. We even published a cautionary tale of trying to live off Kindle erotica. In The Guardian, a look at the worst book covers of the Kindlesphere, all of which appear on an excellent Tumblr.
Writers are told that they should outline their work. Elizabeth Gilbert has outdone us all by writing a 70-page outline for The Signature of All Things. "I have no German Romantic idea about work. There’s no fugue state, you know? I could no more write at 3 a.m. than I could with a quill pen. I keep farmer’s hours and I have that sort of plotting and plodding way," she told The Daily Beast.
The 113th anniversary of Thomas Wolfe’s birthday was last Thursday, but the author lives on in America’s cultural memory thanks to the title of his 1940 novel, You Can’t Go Home Again. Unfortunately, the titular phrase seems to be taken at face value by many people these days, and that can lead to some groan-worthy invocations. A newly-minted Tumblr blog illustrates the point.
“The rest of her speech to the U.N. that day is an exact outline for what she wanted the rest of the Parable books to be about — a way out that she did not live to write herself.” For Electric Literature, Kristopher Jansma explores the unwritten Parable books of acclaimed sci-fi author Octavia Butler. Pair with our consideration of Butler’s novel Kindred.