Researchers at Google have analyzed “audiovisual patterns,” “title, description and tags,” “words associated with amusement” in user comments, “emoticons,” and even the number of o’s in the average “LOL” in various YouTube videos in order to identify the funniest content on the web. Then they set up an algorithm to rank their findings, and subjected those findings to an audience vote (which you can join over here). Based on their calculations so far, this was the funniest video of all time. What do you think?
If you missed Apple’s “Education Announcement” last Thursday, you can check out Peter Kafka’s play-by-play coverage of the event for AllThingsD. The whole affair made quite a splash because the biggest publishers in the world today are education publishers. The star of the show was iBooks 2, and it has many people talking: some view it as education publishing’s savior, some fear it, and others think its EULA is downright creepy. At least one person believes the whole idea might’ve been the brain child of a lowly intern. And, finally, what should we make of Steve Jobs’ 1996 admission that “what’s wrong with education cannot be fixed with technology?”
Is hardcover the new vinyl? Over at The Literary Hub, Yahdon Israel argues for the irreplaceable magic of tactility and print books: “There’s something gratifying about being able to underline a sentence or write a response in the margin of a book, knowing with certainty that it will be there later. I can’t get that guarantee from a phone. My data could be hacked, a new upgrade could wipe its memory, my battery could die mid-sentence and cause me to lose everything I’ve typed. They say that what goes up into the Cloud must come down, but ‘they’ can’t always be trusted—least of all with the things I value most, my books.”
“Steinem welcomed them all—the rich, the celebrities, the climbers for the cause. She was a radical but, consciously, never an outsider. She enjoyed the world where she plied her trade as an entrepreneur of social change, and, with her mouth spray at hand, she had long since mastered the subterfuges of talking truth to power. You could call it consciousness-raising—on a wider canvas.” The New Yorker profiles Gloria Steinem in anticipation of her latest release, My Life on the Road.