In an interview with The Atlantic, Zone One author Colson Whitehead says the distinction between “literary” and “fantasy” genres “have no use for me in my day-to-day work experience.” Whitehead is just one of the recent high-profile authors to foray into genre fiction, however, as Kim Wright explored in a piece for us last month.
“For Mr. Kirn, 51, who indeed brims with an outer confidence that can be intimidating at times to those unused to brash, creative types who dress in custom cowboy boots and seem indifferent to the modest niceties of literary image, the loud underwear seems to be working this afternoon.” If this doesn’t read like the typical author profile that’s because Walter Kirn interviewed himself for The New York Times on his new book, Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade. Here’s our review.
This month the Cleveland International Film Festival will show Dear Mr. Watterson, a film exploring “how … a simple comic strip became so meaningful to such a massive and diverse group of people.” Yet despite the subject matter, the actual author of the Calvin and Hobbes series will almost certainly be absent from the screenings. Over at Full Stop, Liv Combe looks at the ways Bill Watterson is “keeping the idea of the private public figure alive.”
Kundiman, an organization dedicated to “the creation and cultivation of Asian American poetry,” is now accepting submissions for its annual Kundiman Poetry Prize. One winner will receive $1,000, book publication with Alice James Books, and a featured reading in New York City. The deadline is March 1, 2013.
“Dear publisher, I am sorry if I do so few of these stories justice. Someone else surely will. I don’t know what justice for a book is but I think I saw it as I prayed over this one.” Matthew Jakubowski reviews Diane Williams’ latest collection Fine, Fine, Fine, Fine, Fine at Minor Literature[s]. You could also read his reviews of Azareen Van der Vliet Oloomi’s Fra Keeler and Margriet de Moor’s The Storm at The Millions.
You may have heard that our own Bill Morris has a new book on shelves. He talked about it with fellow Millions staff writer and California author Edan Lepucki. At the LARB, Diana Clarke reviews the book, which she calls “a sharp critique of the contemporary American post-racial narrative,” among other things.