Martin Amis’ The Pregnant Widow is out today (Kakutani sez, “remarkably tedious” but The Guardian adds, “Amis might draw comfort from the long and distinguished list of Kakutani’s literary victims.”) Also out, Sebastian Junger’s War, the result of time spent embedded with a platoon of the 173rd Airborne brigade in Afghanistan.
Last week, I wrote about Josh Weil and Mike Harvkey’s joint book tour, which sees the two driving a Prius across America to promote their latest novels. Now, in their latest dispatch, they reflect on the differences between writers like themselves and midcentury writers like Andre Dubus and Norman Mailer.
New this week: The Age of Reinvention by Karine Tuil; The Burned Bridges of Ward, Nebraska by Eileen Curtright; Shock by Shock by Dean Young; The Selected Poems of Donald Hall; and On Cats by Charles Bukowski. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
Haven’t read our own Mark O’Connell’s great new essay at Slate? To mark the hundredth anniversary of Dubliners, Mark paid a visit to the James Joyce House, which led him to reflect on life in his native city. “If you live in Dublin, if you are yourself a Dubliner,” he writes, “no matter how many times you read the book, it will always reveal something profound and essential and unrealized about the city and its people.”
New this week: The Best of McSweeney’s; a new e-book edition of Highway Trade by John Domini; and new paperback editions of Between Heaven and Here by Susan Straight and Samuel Johnson is Indignant by Lydia Davis. (You could also read Susan Straight’s Millions essay on Toni Morrison’s Sula.)
Glen Duncan, author of the genre novel The Last Werewolf, opened his New York Times review of Colson Whitehead‘s Zone One with this controversial line: “A literary novelist writing a genre novel is like an intellectual dating a porn star”. Understandably, this led to some uproar. Now he’s doubling down on his stance.