Nathaniel Philbrick answers the question Why Read Moby-Dick: “the level of the language is like no other,” but also “it’s as close to being our American Bible as we have.”
New this week: Loitering by Charles d’Ambrosio; The End of Days by Jenny Erpenbeck; Windows on the World, a collection of Paris Review essays illustrated by Matteo Pericoli (Karl Ove Knausgaard’s contribution is excerpted here); The Heart Has Its Reasons by María Dueñas; A Woman Without a Country by Eavan Boland; Love Poems by Bertolt Brecht; and Family Furnishings, a new selection of short stories by Nobel laureate Alice Munro. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
Do you live near Athens, GA? Come out tonight to support a newly opened indie bookstore: Avid Bookshop. Or, if you can’t make that, hit up tomorrow’s “Kids’ Day” at the same place. They have a Twitter account, too.
“Most writers … don’t ask questions of a journalist,” writes How to Read a Novelist author John Freeman. But what of those that do? Over the course of a fifteen year career, Freeman has found that “what the novelists asked of me told me [a great deal] about them,” and that a big problem with the standard format for author interviews, after all, is that “the conventions of the interview deprive us of one thing a novelist does quite a bit, which is ask questions.” (Bonus: Freeman will be in conversation with Jennifer Egan Thursday night at McNally Jackson.)
Geoff Dyer, lately everybody’s favorite literary critic, reviews The Stranger’s Child, and tells us why Alan Hollinghurst, “the gay novelist, might also be the best straight novelist that Britain has to offer.” Hear, hear!