The secret subject of Joan Didion’s work has always been her troubled daughter. Her wrenching new memoir, Blue Nights, tells us why.
The secret subject of Joan Didion’s work has always been her troubled daughter. Her wrenching new memoir, Blue Nights, tells us why.
Rachel Hurn is an intern for The Millions. She was born in Los Angeles and is currently earning her MFA in Creative Nonfiction at The New School. Her work can be found at thenewyorker.com and at her blog, rachelhurn.blogspot.com. Follow Rachel on Twitter @rachelmariehurn.