Jacket Copy visits Joan Didion at her apartment in Manhattan to discuss Blue Nights, which moves back and forth between the death of Didion’s 39-year-old daughter, Quintana, six years ago and the author’s reflections on aging. The book is a much anticipated follow-up to 2005’s The Year of Magical Thinking, in which Didion wrote about the death of her husband, John Gregory Dunne.
We’ve been following the YA debate quite attentively – I wrote about it just last week – but Sarah Burnes‘s addition to the conversation, a blog post for The Paris Review, is one of the most eloquent I’ve read. In defense of reading YA fiction as a “grown-up” she writes, “The binary between children’s and adult fiction is a false one, based on a limited conception of the self. I have not ceased to be the person I was when I was an adolescent; in fact, to think so seems to me like a kind of dissociation from a crucial aspect of one’s self. And the critic should be concerned with what is good and what is bad, what is art and what is not—not with what’s ‘appropriate.'”
Who would have predicted, when an unassuming history of post-punk called Our Band Could Be Your Life was published in 2001, that we’d be celebrating its tenth anniversary with concert blowouts and Paris Review Daily interviews? Most anyone who read it, that’s who.
“In times of tension it is particularly important to defend what is good, identify what would worsen the status quo, strive for balanced assessments, always hoping for the best, and try to identify and oppose any and all steps toward coercive authoritarianism.” Richard Falk narrates the coup in Turkey at Guernica.