Booker-snubbed, but still widely anticipated, Philip Hensher’s King of Badgers is out today. As are Ali Smith’s There But for The, Erin Morgenstern’s uber-hyped debut The Night Circus, and The Taste of Salt by Martha Southgate, who wrote here about writers’ work getting better as they get older.
I know, I know - another piece about "the canon." This one, however, is sure to elicit a response one way or another. A sampling: "There are few (arguably no) female poets writing in Chaucer’s time who rival Chaucer in wit, transgressiveness, texture, or psychological insight. The lack of equal opportunity was a tremendous injustice stemming from oppressive social norms, but we can’t reverse it by willing brilliant female wordsmiths into the past. Same goes for people of color in Wordsworth’s day, or openly queer people in Pope’s, or …"