A big haul of new books this week. At the top of the list is Chad Harbach’s much anticipated debut, The Art of Fielding. Also new this week: the new Christopher Hitchens collection Arguably, Lily Tuck’s I Married You for Happiness, Nuruddin Farah’s Crossbones, and Anna Solomon’s debut The Little Bride. Sebastian Barry’s Booker long-listed On Canaan’s Side is now available in the U.S. And Great House by Nicole Krauss is now out in paperback.
Tuesday New Release Day: Harbach, Hitchens, Tuck, Farah, Solomon, Barry, Krauss
Dark Matter
Next week, Martin Amis will publish Zone of Interest, a dark new novel that takes place, like his earlier Time’s Arrow, in Nazi-occupied lands during the Holocaust. In this week’s New Yorker, Joyce Carol Oates reviews the book, suggesting that Amis is most compelling when he writes as a “satiric vivisectionist.” You could also read our own Mark O’Connell on Lionel Asbo: State of England.
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Heated Opinions
Some people scribble in books. Some don’t. Some people (like former Supreme Court Justice William O. Douglas) chuck books with marginalia out the window.
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Arrested Development Meets Academia
“Dr. Kristin M. Barton is seeking proposals for an edited volume … which will explore Arrested Development from a scholarly perspective,” reads a call for submissions on H-Net. I can see the titles of these essays now. Can’t you? “Desperation Economics: There’s Always Money in the Banana Stand” or “I Don’t Know What I Was Expecting: An Exploration of Dead Doves and Tragicomedy.”
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Doing More With Less
Nollywood is the name given to Nigeria’s $500 million movie business. For about the same amount of money that was spent on the promotion and production of James Cameron’s Avatar, Nollywood is able to churn out a thousand films each year, trailing only Bollywood and Hollywood in terms of revenue.
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What is a diverse book?
Year in Reading alum Rumaan Alam reflects at The Literary Hub about the labels we ascribe to texts. Pair with his recent interview with Lindsay Hatton.
Poetry of Brotherhood
Recommended Reading: The Missouri Review’s new poem of the week, Kai Carlson-Wee’s “Jesse James Days,” which also won its 2013 Editors’ Prize. “If I carried your name to the skateparks and railroad temples of rust, would you come to me, brother.”