A big haul of new books this week. At the top of the list is Chad Harbach’s much anticipated debut, The Art of Fielding. Also new this week: the new Christopher Hitchens collection Arguably, Lily Tuck’s I Married You for Happiness, Nuruddin Farah’s Crossbones, and Anna Solomon’s debut The Little Bride. Sebastian Barry’s Booker long-listed On Canaan’s Side is now available in the U.S. And Great House by Nicole Krauss is now out in paperback.
There is going to be a documentary about Joan Didion. We repeat: a documentary about Joan Didion. This is not a drill. Watch the opening trailer and consider donating to the Kickstarter campaign here, and be sure to read our own Michael Borne‘s review of Blue Nights and S.J. Culver‘s Millions essay on “Getting Out: Escaping with Joan Didion.”
From 1916 to 1925, the University of Mississippi paid William Faulkner for drawings he published in the school newspaper, Ole Miss. At Open Culture, you can see some of these drawings, which struck this writer as peculiarly un-Faulknerian. (Related: our own Nick Moran found recordings of Faulkner on the University of Virginia website.) (h/t The Paris Review)
On Emily Dickinson‘s self-portrait, sherry, the power of handwriting and those notes we all passed around in junior high, from the Kenyon Review blog.