A while back, I mentioned the prescient timing of Walter Isaacson’s forthcoming biography Steve Jobs. As you await its publication, content yourself with Forbes and JESS3’s graphic novel The Zen of Steve Jobs.
Next year marks the 20th anniversary of David Foster Wallace's Infinite Jest. To celebrate, Little, Brown is holding a cover design contest, with a $1,000 grand prize. Also, you know, the pride of seeing Infinite Jest published in your cover. Whatever, no big deal.
At least two people were not pleased with John Jeremiah Sullivan’s recent cover story in the New York Times Magazine. In a letter to the New York Observer (and an expanded post on Google+), Susannah McCormick – daughter of renowned music historian Robert "Mack" McCormick – alleges that Sullivan and his research assistant “glibly” stole her father’s research in an act of “quasi theft.” In his response, Sullivan asserts that, “by hiding L. V. Thomas’s voice, by refusing for over half a century to credit or even so much as name the two singers who created those recordings while they or their contemporaries were alive, Mack McCormick committed a theft—through negligence or writer’s block or whatever reasons of his own—far graver than my citation of interviews L.V. granted him decades ago.”
Out this week: The Blazing World by Siri Hustvedt; The Heaven of Animals by David James Poissant; Cementville by Paulette Livers; Damage Control by Amber Dermont; Blood Will Out by Up in the Air author Walter Kirn; Shotgun Lovesongs by Nickolas Butler; and The Haunted Life, a new collection of early writing by Jack Kerouac.