A while back, I mentioned the prescient timing of Walter Isaacson’s forthcoming biography Steve Jobs. As you await its publication, content yourself with Forbes and JESS3’s graphic novel The Zen of Steve Jobs.
The Zen of Steve Jobs
“In matters like writing[…], a man does what he has to do—if he has to write, why then, he writes”
Rebecca Davis O’Brien unearths a letter in which Malcolm Cowley tackles the timeless question, “Should I get an MFA?” Just as poignant as Cowley’s letter is novelist Helen DeWitt’s pointed dismissal of Cowley’s advice in the comments section.
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A Debut
Maaza Mengiste, an old school chum, gets high praise from Claire Messud for her debut, the “extraordinary novel” Beneath the Lion’s Gaze.
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Pynchon Possessed by the Spirit of a Teenaged Girl
“Though female authors write experimental novels about women—like Renata Adler’s Speedboat or Sheila Heti’s How Should a Person Be?—the avant-garde has long been associated with male authors and stories. That association made Alexandra Kleeman’s You Too Can Have a Body Like Mine seem doubly unusual.” On Kleeman’s debut novel and blatantly feminine themes in the avant-garde.
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“Hardly Shakesperean at first”
Recommended Reading: Ted Widmer on the miscellaneous writings of Abraham Lincoln.
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Previewing Batuman
The Possessed: Adventures with Russian Books and the People Who Read Them, the forthcoming debut effort by sometime Millions contributor Elif Batuman, gets an intriguing write-up in Publishers Weekly.
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Temper That Ego. You Need Luck As Well.
A few weeks ago, Benjamin Hale wrote an article for us about the trivialities and happenstance associated with publishing prizes. His point was that legacy was more important than short-lived fame. In a way, his piece is nicely supplemented by Tom Bissell’s essay on the luck and chance necessary to attain literary success.
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On Kenny’s Window
Maria Popova writes about Kenny’s Window, Maurice Sendak’s “debut as a storyteller.” Our own Emily Collette Wilkinson reflected on Sendak’s vision upon his passing.