Dwight Garner, writing in the current issue of The New York Times Magazine, laments that so many high-end American novelists seem to be working on “the nine-year plan,” delivering a new novel roughly once a decade. He cites Jeffrey Eugenides, who will be out soon with The Marriage Plot, his third novel in 18 years, along with such slow cookers as Jonathan Franzen, Donna Tartt and Michael Chabon. One name Garner neglected to mention is the Pulitzer Prize-winner William Kennedy, who will be out next month with Chango’s Beads and Two-Tone Shoes, the eighth installment in his Albany cycle and his first novel since Roscoe appeared nine years and nine months ago. Look for our review of it here next month.
Out this week is Russian author Vladimir Sorokin’s Day of the Oprichnik. Coinciding with that release, NYRB Classics is putting out Sorokin’s Ice Trilogy. Georges Perec’s The Art of Asking Your Boss for a Raise is now on shelves, as is Stewart O’Nan’s Emily, Alone, in which he revisits the Maxwell family from his 2002 book Wish You Were Here.
“The way Vermeer painted this wall is consistent with a photograph. It is not consistent with human vision.” In a fascinating new documentary by Penn and Teller, a digital-graphics artist spent five years building a lens, a room, and a harpsichord to figure out how.
At long last Renata Adler’s re-released Speedboat is out from NYRB Classics. The book’s attracted quite a bit of (deserved) pre-release hype. Also out today are a pair of books covered in our Great 2013 Book Preview: Vladimir Nabokov’s The Tragedy of Mr. Morn (no relation to yours truly) and Aleksandar Hemon’s The Book of My Lives. In three days you can get your hands on Kristopher Jansma’s debut novel The Unchangeable Spots of Leopards.
Here’s the story of one entrepreneur so intent on disrupting the antiquated status quo within his industry that he quit his organization and set out to found his own start-up. You’ve heard this story before. It’s John Milton’s Paradise Lost, and supposedly it can help your career in ways you haven’t even realized.