Dwight Garner, writing in the current issue of The New York Times Magazine, laments that so many high-end American novelists seem to be working on “the nine-year plan,” delivering a new novel roughly once a decade. He cites Jeffrey Eugenides, who will be out soon with The Marriage Plot, his third novel in 18 years, along with such slow cookers as Jonathan Franzen, Donna Tartt and Michael Chabon. One name Garner neglected to mention is the Pulitzer Prize-winner William Kennedy, who will be out next month with Chango’s Beads and Two-Tone Shoes, the eighth installment in his Albany cycle and his first novel since Roscoe appeared nine years and nine months ago. Look for our review of it here next month.
Is readability a myth? In an article for The Atlantic Noah Berlatsky argues that there are no “easy” or “difficult” books, or rather that these are relative terms – a book that gives one person fits may be light reading for someone else. His argument pairs interestingly with our own Emily Colette Wilkinson‘s “Difficult Books” series.
This week in book-related infographics: Waterstones has put together an illustrated formula for the ultimate bestseller, “a thriller tale of crime, bondage and wizardry.”
Before his death of natural causes in 2008, Henry Gustave Molaison had the world’s most famous brain. At 27, Molaison permanently lost the ability to form new memories, which led to him spending the rest of his life in “thirty-second loops of awareness.” In the LRB, Mike Jay reviews a new book on Molaison, Permanent Present Tense.
“That’s why I’m organizing this fundraiser for Planned Parenthood, because for me the right to say what happens to my body is the right to make art.” Year-in-Reading alum Claire Vaye Watkins has launched “Dabbler’s Ball,” an art auction featuring work by some other boldtype names you might know (Ramona Ausubel, Lauren Groff, Tom McGuane, Emma Straub). Bidding runs until September 5th and 100% of the proceeds will go toward the venerable PP. See also: our reviews of Vaye Watkins’s novel Gold Fame Citrus and Battleborn, her first story collection.
Sean Manning of the Talking Covers blog spoke with a bunch of authors, editors and artists to take a long, close look at the work of Lorraine Louie, the designer “who came up with the uniform, De Stijl layout” of the inimitable Vintage Contemporaries. And while on the topic of book covers, check out Tammy Fortin’s “New Covers for Old Classics” series she put together for the San Francisco Museum of Modern Art.
Recommended reading: Sara Polsky writes for the New Yorker about “The Detective Novel That Convinced a Generation Richard III Wasn’t Evil.”