Students at Brooklyn’s International High School come from more than forty-five countries and speak more than twenty-eight languages. Their stories are now recorded in Brooke Hauser’s new book, The New Kids: Big Dreams and Brave Journeys at a High School for Immigrant Teens.
"When author Kamila Shamsie challenged the book industry to publish only women in 2018 to help address a gender imbalance in literature, just one publisher took up the challenge." And Other Stories, an English publisher who publish translations and English language books, has decided to only publish women writers in 2018, according to the BBC. Pair with: an essay by our own Marie Myung-Ok Lee about the visibility and privacy of women writers.
Over at the Masters Review, Marjorie Sandor writes about the uncanny in literature and film, the origins of the word, and psychology. “Uncanny. Look it up in a standard collegiate dictionary, and you’ll get a brief, unhelpful definition. Seemingly supernatural. Mysterious. [orig. Sc & N. Engl.]. But the slippage has already begun. Seemingly.”
How do you know if the book you're writing is going to fly or flop? Try writing the first 80 pages without worrying about the outcome as Meg Wolitzer does. "Eighty pages is enough pages for a writer to feel she’s accomplished something, but it’s not so many pages that, if she decides to put aside the book, she’ll feel as if she’s wasted her life," she told the Daily Beast for its "How I Write" series. It must work because we loved The Interestings.
Now this is a headline for the ages: “‘Self-Harmers are Not Just Depressives’: Writing a Book About Cutters Who Cook.” (Incidentally, the book in question is Jessica Soffer’s Tomorrow There Will Be Apricots, which we covered last week.)