Editor Betsy Lerner (The Forest for the Trees) gives her take on what makes a story “big.”
Betsy Lerner’s “Big” Story
“At once sensuous and crisp”
Last week, I wrote about the new Philip Marlowe novel by Benjamin Black, aka Year in Reading alum John Banville. Over the weekend, Banville published an essay in The Guardian about writing the iconic character, whom he describes as “one of the immortals.”
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Appearing Elsewhere
A slightly different version of my story "Salt Lick" (originally published in 2006, in the Los Angeles Times Magazine) is now at Flatmancrooked.
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The Man and His Image
Recommended Reading: Can we separate Knausgaard the writer from Knausgaard the narrator?
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“The point is she’s doing ballet badly”
As part of their Sunday Interview series, The Rumpus had a chat with Leslie Jamison, who talked to Martha Bayne about The Empathy Exams, the ubiquity of Frozen and the pathos of Taylor Swift. If you like, you could also take a look at our own Edan Lepucki’s interview with Jamison, or else read Ryan Teitman’s review of The Empathy Exams.
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In Defense of Anti-Writing
Over at the handsomely redesigned Open Letters Monthly, yours truly weighs in on William T. Vollmann.
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The Millions at the Critical Hit Awards
Hooray! Electric Literature has declared Jesse Jarnow's Millions review of Fear of Music the winner in the category of Best Deconstruction for their occasional Critical Hit Awards.