Sam Tanenhaus, editor of the New York Times Book Review, talks to Noah Charney about his life, his work, and his taste in books. Answers are typical but insightful, with one incredibly colorful exception: Tanenhaus’s ideal workplace is bizarre. (Hint: The atmosphere falls somewhere between a nuclear fallout shelter and the kind of place you would keep a hostage and it’s nothing like where we write.)
Our friend “Tom” finds that music soothes the savage vampire.Joseph O’Neill explores the “wholesome… misanthropy” of Flannery O’Connor.The Nation offers up a depressing assessment of the book business: “It is a confused, confusing and very fluid situation, and no one can predict how books and readers will survive.””Why Donald Duck Is the Jerry Lewis of Germany“NPR talks to the author of the just published biography, Gabriel Garcia Marquez: A Life.Daniel Green launches new online journal Critical Distance.”Will Philadelphia be the place where the American newspaper dies?” (via)The Complete Review considers Bolaño’s Amulet.
“But was I actually reading? I regarded myself as a reader, but were these really books?” In LitHub, James Tate Hill pens an essay about reading while visually impaired and the questions it raises in a print book obsessed world. Pair with: our own Bill Morris on hearing an actor narrate his novel’s audiobook.
The creative writing department at Florida International University has released the ninth issue of their on-campus literary magazine, Gulf Stream. The issue features the publication’s first inaugural Author Roundtable – a discussion between agents and writers from the Miami Writers Institute and novelists Cathy Day and Marc Fitten.
“What people call you shapes how you see yourself, and teaches you how to navigate the world. But the moment you name something, you limit the possibilities of what it can be.” Marie Elia, who was trained as a cataloguing librarian, argues that our biases affect the way we describe books at Queen Mob’s Teahouse. Pair with our essay on “A Library of the Mind.”