Steven Millhauser’s new collection We Others is out this week, as are Hisham Matar’s Anatomy of a Disappearance and Alex Shakar’s Luminarium. Here at The Millions, Shakar recently offered the harrowing story of the publication of his first novel. Alexandra Fuller has a new memoir out. Cocktail Hour Under the Tree of Forgetfulness. and foodies are celebrating with 40 Years of Chez Panisse: The Power of Gathering.
Tuesday New Release Day: Millhauser, Matar, Shakar, Fuller, Chez Panisse
New Directions’ Birthday Bash
On a more optimistic note, New Directions, New York City’s inestimable and long struggling (but “long dazzling!”) publishing house, will be throwing itself a 75th birthday party on Thursday, October 27. (They just redesigned their website and colophon, too.)
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The Odyssey, Mapped
An interactive map created by Gisèle Mounzer tracks the winding, often circuitous journey taken by Odysseus in Homer's Odyssey.
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Trigger Warning: Literature
Students at the University of California Santa Barbara, Rutgers, Oberlin, and others have been requesting “trigger warning” labels on literature from The Great Gatsby to Huck Finn. In The Guardian, University College London Professor John Mullan snipes, “You might as well put a label on English literature saying: warning – bad stuff happens here.”
Pimpin’ with Remnick
Correction of the day, courtesy of The New York Times: “He did not say that it would not be a ‘pimped out’ version of the article.”
Blues Traveler
John Cline is retracing the Great Migration route from New Orleans to Chicago for his Oxford American column, “Arterial America.” In his latest dispatch, he discovers Jackson, Mississippi’s hip-hop community.
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Didion: Cool and Manly?
The Atlantic reviews the first full-length biography of Joan Didion, The Last Love Song by Tracy Daugherty, to be released August 25th. The biography “looks at the author’s legacy of cool.” Related: Franklin Strong’s essay on “The Manliness of Joan Didion” in The Millions.
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Smile!
“Publishing is also an industry that selectively values a kind of swaggering authenticity that would never capitulate to demands for something so banal as being nice. But authenticity is too often a short hand for callous, aloof, or honest for the purpose of cruelty rather than truth-seeking.” Alana Massey writes about the “niceness” of publishing.