In a big week for new releases, we have Lev Grossman’s The Magician King, the sequel to his blockbuster debut The Magicians; Nicholson Baker’s House of Holes, reviewed here today; another new Geoff Dyer book, The Missing of the Somme; DBC Pierre’s Lights Out in Wonderland; and Kevin Wilson’s debut novel The Family Fang (which one blurber calls The Royal Tenenbaums meets Who’s Afraid of Virginia Woolf). Four of the five books above, incidentally, were featured in our big second-half preview. And out in a paperback this week are a pair of award winners: Siddhartha Mukherjee’s The Emperor of All Maladies and David Grossman’s To the End of the Land.
“Writers such as Gary Lutz, Diane Williams, Christine Schutt, and Noy Holland palpably employ, in somewhat different but observable ways, the strategy [Gordon] Lish calls ‘consecution,’ the focus on constructing and linking sentences by considering sound and rhythm as well as sense.” At Full-Stop, Daniel Green examines the editor's influence in a piece on Noy Holland’s new book.
Nabokov once described himself “as American as April in Arizona,” which is an odd thing to call yourself when you’re a lepidopterist Russian expat. In Nabokov in America, Robert Roper explores why Nabokov felt he was so American, and how his journey to that identity influenced his writing of Lolita. At The Literary Review, Ian Sansom reviews Roper's book.
In the beginning, God died, and it was bad. Then the pun died too, and despair came over the people.
Readers of the 1960s and 70s ran into many people who worried that writers were learning from television. In 2015, the concern is slightly different -- are writers taking cues from video games? At the Ploughshares blog, Matthew Burnside tackles the game-ification of books.
Shakespeare is required reading for the would-be literary scholar, yet with so many articles, books and monographs on the Bard in circulation, it might be time to ask: have English professors finally said all there is to say?
"A woman I did not know called me to help her with something I have always loved to do: write. Certainly it was fate, my involvement destined to be a seed for a fairy tale ending, I thought. I was wrong," Scott Saalman writes about the moral challenges of agreeing to help someone with their writing at The Morning News.