“At the train station in Cerbère, France, M. and I have survived the grueling hike on the Sentier de la Liberté Walter Benjamin.” For Catapult, Gwen Strauss writes about climbing the path that Benjamin used to flee the Gestapo, only to take his own life at its terminus. See also: Kyle Chayka‘s recommendation of The Work of Art in the Age of Mechanical Reproduction in our own pages just last week.
Must female characters always stand in the shadow of the institution of marriage? Ivan Kreilkamp writes on female bachelors, from Renata Adler’s Speedboat to Elizabeth Hardwick’s Sleepless Nights. Pair with this Millions essay on Adler’s piecemeal novel.
“I’m a writer through and through, but the art world—to a large extent—provides the arena in which literature can be vigorously addressed, transformed, and expanded.” Frederic Tuten interviews Tom McCarthy about the overlap between the visual arts and literature, the importance of reading, and living, voraciously, and the power of Finnegans Wake for BOMB Magazine. Pair with our own Nick Ripatrazone‘s review of BOMB: The Author Interviews.