“Who am I in the face of the Universe if not just a bro who wants to get stuff done?” Tim Goessling tried living a day according to Benjamin Franklin’s schedule listed in The Autobiography of Benjamin Franklin. What was his biggest takeaway? We should self-evaluate and set goals more.
American readers can now get their hands on the latest from Martin Amis, Lionel Asbo: State of England. Also out this week: The Devil in Silver by Victor LaValle, Paul Auster’s memoir Winter Journal, Dan Fesperman’s spy novel The Double Game, and a pair of debuts, Hanna Pylväinen’s We Sinners and Amanda Coplin’s The Orchardist.
Sara Nović writes for The Believer about the deaf protagonist of Stephen King’s The Stand. As she explains it, “This is the plight of the average deaf character: to be plagued by the hearing author’s own discomfort with the idea of silence.” Pair with Lydia Kiesling’s Millions essay on King.
There’s a certain narrative voice with an unspoken aim to exonerate the speaker from wrongdoing. It occurs in novels, though it’s most common in monologues, especially those which take up the entirety of a play. At Bookforum, Lurid and Cute author Adam Thirlwell lists a number of examples, including Hunger by Knut Hamsun and Wars I Have Seen by Gertrude Stein.