“I do not find it unusual that many writers I know acquire vintage clothes, buy old homes, and rescue animals. For one, we don’t have Wall Street salaries, and secondly, we’re suckers for backstory, particularly that which is left to the imagination. Our job, after all, is to make up lives, engage in epic games of pretend.” Megan Mayhew Bergman writes for Ploughshares about collecting cast-off objects, “the chaos of memories,” and becoming a writer. Pair with David L. Ulin‘s reflection on Bergman’s essay and the way we think about memory, written for the LA Times.
Boston Review’s Aura Estrada Short Story Contest is underway. This year’s submissions will be judged by What We Talk About When We Talk About Anne Frank author (as well as Year in Reading contributor) Nathan Englander, and the victor will earn a $1,500 prize as well as publication.