According to Steve Denning at Forbes, “the U.S. has lost or is on the verge of losing its ability to develop and manufacture a slew of high-tech products.” He says the U.S. will never be able to manufacture a Kindle on its own soil. But if the environmental cost of producing just one e-reader, as VQR‘s Ted Genoways says, is “roughly the same as fifty books,” why would anyone want to?
“There is a term in the legal world for such instructions — dead hand control — and, although compliance has varied and enforceability is debatable, they have been attempted by artists from Franz Kafka to a Beastie Boy.” The New York Times explores the potential impact of Edward Albee‘s will on his work, including his instruction that any manuscripts incomplete at the time of his death be destroyed. Pairs perfectly with Aaron Hamburger‘s recollection of staying at the famous playwright’s place out in Long Island for an artists’ residency.
“At bottom, the argument about copyright is not really a philosophical argument. It’s a battle between interest groups.” Louis Menand writes about American copyright law in the digital age for The New Yorker, and his essay pairs well with the many articles on copyright we’ve published over the years.
To give context to a new William Vollmann essay about reading his own FBI profile (available to subscribers only, sadly), Harper’s Magazine published a few pages from Vollmann’s file online. Among other things, they reveal that the FBI considered Vollman “exceedingly intelligent and possessed with an enormous ego.” (For a taste of the Harper’s essay, you can read this WaPo article on Vollmann’s connection to the Unabomber.)