"What do these two books have in common?...Open each cover and you will only find similarities: They are the same book." For The Globe and Mail, our own Claire Cameron writes about one book being marketed with two different covers and titles to appeal to different audiences. Pair with: an essay about book covers featuring headless, backless women, and another on the beauty of typewritten book covers.
"Our bookstores hold a place in our communities where people go to escape their lives, to talk to a real person and just sit in a comfy chair surrounded by personally curated literature. This is what we do, who we are, so let’s make an extra effort to step away from our desks and computers and provide a safe and compassionate place for people to share their anger and grief today." In the wake of Monday's tragedy, Boston's bookstores figure out how to deal. And at The New Yorker, a poem for Boston.
This little bit of found poetry courtesy of the Beaufort Wind Scale and Mallory Ortberg over at The Toast will have you reading your weather reports with a fresh set of eyes. If meteorology is your thing, here's a link to the ten best weather events in all of fiction.
Once Again, this December we will be hosting our Year in Reading series, and this year's installment is shaping up to be our most fascinating and star-studded yet. While you wait, enjoy last year's series all over again, and please consider learning about the five easy (even free!) ways you can support The Millions and our year-end extravaganza this holiday season.
Alison Mudditt, director of The University of California Press, has announced the suspension of the New California Poetry series due to state budget cuts and the challenges posed to "our industry and markets which (not unlike the newspaper industry!) require us to rethink and retool to remain a vibrant and relevant voice in the digital age."
"So Be It! See To It!" So you may have already seen this on the literary internet earlier this year, but today's Friday, and we needed a little infusion of life: enter Octavia Butler's amazingly awesome note to self (via the also amazing and awesome Rose Eveleth).
Following the example of Flaubert, whose Dictionary of Received Ideas compiled the clichés of its day, Teju Cole set out on Monday to record his own clichés on Twitter. At Page-Turner, he sums up his experiment in a blog post. (You may recall that this is not the first time Cole has won acclaim for his Twitter account.)