Emily Gould, former Gawker editor, author of And the Heart Says Whatever, proprietor of the literary cooking show Cooking the Books, appears poised to launch a new literary venture, Emily Books. So says The Observer.
At n+1, Nick Holdstock’s diary of International Pynchon Week, held in Lublin, Poland: “The conference room looked like the United Nations as depicted in ’60s spy movies ... on the pad of the man to my left there were no notes, just a drawing of a cat wearing a shirt and tie.”
“The power and meaning of the written word are central to the complexities we face today—both as a nation, and globally. To my mind, freedom of expression is a basic human right." Pulitzer Prize-winning author Jennifer Egan has been named the new president of PEN America. Pair with: our own Edan Lepucki's 2010 profile of Egan.
“The findings revealed that across the board, nearly 80 percent of those surveyed who worked in publishing self-identified as white. In Marketing and Publicity, 77 percent were white. These are people who make decisions on how to position books to the press and to consumers, and if and where to send authors on tour — critical considerations in the successful launching of any publication. For writers of color, the lack of diversity in book publicity departments can feel like a death knell.” On the lack of representation in book publishing and publicity campaigns.
"Though statements have been issued over the years, no one has ever provided full disclosure of the alleged 1974 government experiment called OPERATION EMU (Experimental Mitigated Universe) during which an entire Hollywood film crew, contracted by the government, disappeared in a remote section of Nevada." Is this Web site a mysterious government coverup of the ravings of a lunatic? Neither. It's the marketing campaign of a writer shopping his manuscript. (thanks, R.J.)The University of Nebraska Press has a blog. They've been plugging away at the blog since January, but I hadn't seen it until today, when I got an email about it.New issues of The Virginia Quarterly Review and Narrative Magazine are out.
Recommended Reading: An excerpt from Jesmyn Ward's new memoir, Men We Reaped. "This is the summer of the year 2000. This is the last summer that I will spend with my brother. This is the heart. This is. Every day, this is." Pair with: The New York Times profile of Ward.
There was an interesting piece on the intangible economics of fine art in this weekend's NYT Magazine that explains the difference between the markets for art and other luxury goods (like gold and property): "Because the art market isn’t regulated like financial securities, insider dealing is generally not illegal."
"But poems are not poems if they make people feel dead. I want people to feel alive – even if it is alive with grief." The Guardian profiles poet Danez Smith about poetry; race, gender, and queerness; and their poetry collection, Don't Call Us Dead (a finalist for the National Book Award). Pair with: an essay on writing that gives shape and depth to victims of criminal injustice.