New this week is George R.R. Martin’s latest Song of Ice and Fire installment, A Dance with Dragons. Also hitting shelves: Donald Ray Pollock’s The Devil All the Time and Dana Spiotta’s Stone Arabia (Don’t miss our preview with tons more upcoming books.) Jesse Ball, whose The Curfew has just come out, also has a new collection, The Village on Horseback. Jennifer Weiner’s new book, Then Came You, is out, as is the first issue of McSweeney’s new food magazine, Lucky Peach. Out in paperback: Allegra Goodman’s The Cookbook Collector.
Along with D.T. Max, Laura Miller, and Jason Kottke, I’ll be participating in this week’s discussion of Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace over at New York Magazine.
“What women do in the books mentioned here doesn’t consist of survival so much as sabotage. They throw bricks and rocks and flaming bottles into the chinks of the masculine world machine, then pick up a gun and fire into the turning gears. If rape and other sexual violence, religious servitude, and the politically determined inaccessibility of contraception can be seen as acts of war, stories like these may not just be a means of escapism. In the mind’s eye, they might be weapons, to be picked up, opened, and deployed.” At the Boston Review, Elizabeth Hand looks at women who fight back in fiction, from Gone Girl to Medea.
“Freedom is not freedom from connection. Serial killing is freedom from connection. Certain large investment firms have established freedom from connection. But we as people never do, and we’re not supposed to, and we shouldn’t want to. We are individuals, obviously, but we are more than that.” Joss Whedon speaks to Wesleyan’s graduating class.
In her scathing, yet utterly necessary, review of Steve Jobs and its subject, Maureen Tkacik writes that “with any luck future generations will saddle Steve Jobs, the brand, with the blemish of all the jobs (small ‘j’) a once-great nation relinquished because of brand-name billionaires like Jobs.”