New this week is George R.R. Martin’s latest Song of Ice and Fire installment, A Dance with Dragons. Also hitting shelves: Donald Ray Pollock’s The Devil All the Time and Dana Spiotta’s Stone Arabia (Don’t miss our preview with tons more upcoming books.) Jesse Ball, whose The Curfew has just come out, also has a new collection, The Village on Horseback. Jennifer Weiner’s new book, Then Came You, is out, as is the first issue of McSweeney’s new food magazine, Lucky Peach. Out in paperback: Allegra Goodman’s The Cookbook Collector.
Tuesday New Release Day: Martin, Pollock, Spiotta, Ball, Weiner, Peach, Goodman
The litigation is never dead. It’s not even past.
Last Thursday, Faulkner Literary Rights, the company controlling William Faulkner’s works, proved two things by suing Sony Pictures Classics: 1) that they finally got around to seeing Midnight In Paris (2011); and 2) that they’re not down with Woody Allen’s decision to include two of the Nobel Prize-winning author’s lines in Owen Wilson’s dialogue.
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A Man of Marked Eccentricities
If you’re a professor or mentor, it’s the time of year you should expect to be hit up for recommendation letters. You can find inspiration in Ralph Waldo Emerson’s recommendation letter for Walt Whitman, when the latter was seeking government employment despite his controversial poetry. “He is known to me as a man of strong original genius, combining, with marked eccentricities, great powers & valuable traits of character: a self-relying large-hearted man, much beloved by his friends.” Even if the government didn’t like Whitman’s work, we do; read our own Michael Bourne’s essay on the power of Whitman’s poetry.
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All Jokes Aside
Over at Vulture, Jesse David Fox offers a retrospective of 100 years of jokes that shaped modern comedy.
But all he eats is candy.
The history behind the iconic Esquire cover that depicts Andy Warhol trapped in a swirling vortex of tomato soup. Before photoshop! I have a reproduction of this particular cover hanging in my kitchen, and I have to tell you that I can’t bear to eat canned Tomato soup at all anymore.
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The Trouble With Memoirs
“If you didn’t feel you were discovering something as you wrote your memoir, don’t publish it. Instead hit the delete key, and then go congratulate yourself for having lived a perfectly good, undistinguished life. There’s no shame in that.” Neil Genzlinger at the New York Times lays some ground rules for those compelled to write memoirs.
The Drama of Rejection
We’ve all been rejected; after all, we’re writers. Yet sometimes it’s nice to know someone has it worse than you. With that in mind, New Hampshire Public Radio presents dramatic readings of famous rejection letters. Pair with: Our ask a writing teacher on rejection from various literary journals.
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Joyce Carol Oates on Mourning and Writer as Persona
In the Atlantic‘s annual fiction supplement, Joyce Carol Oates writes about the loss of her husband of 48 years and the split identity of the well-known writer: “My job at the university is to impersonate ‘Joyce Carol Oates’ […] this quasi-public self […] is scarcely visible to me, as a mirror-reflection, seen up close, is scarcely visible to the viewer.”
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New from Ann Beattie
In the Fall 2015 issue of VQR, check out new fiction from Ann Beattie. You could also read our recent interview with the author.
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