“Porn, Cyberterrorism, The Russian Mob and the Future of Literature” A piece exploring the coming insurrection: digitization – and thus democratization – of books.
We all probably had the humiliating experience of reciting a poem in high school. Yet at Salon, Nina Kang believes that memorizing poetry is a lost art. She blames the loss of the discipline on our tendency to skim and new poetry’s seeming aversion to memorization. “Writers actively fight against the appearance of artifice, and often instead strive for an informal, offhand tone, with that hint of clumsiness that lends a certain authenticity to the voice. It turns out this is a quality that makes the reciter’s job that much more difficulty.” Here’s our take on the lost art of recitation.
Over thirteen years, John Berryman wrote his famous Dream Songs, composing his most innovative and well-known poetry while his own life began to unravel. In a piece for the LRB, August Kleinzahler reappraises the poet to mark a raft of new editions of his work, citing Randall Jarrell, Saul Bellow and other contemporaries in the process. Pair with Stephen Akey on The Dream Songs.
In a move that will likely become more and more common, The Weinstein Company has inked a deal with Netflix to license some of its latest (and most critically acclaimed) films to Instant Watch instead of traditional cable outlets. Coriolanus, Undefeated, and The Artist will be among the first titles released. Elsewhere, Vanity Fair profiles Netflix’s “bloody but only slightly bowed” CEO, Reed Hastings.
Two full-length trailers for much-anticipated films dropped this week. First up is Pixar’s Brave, which will hit theaters this June. Meanwhile, on the other end of the spectrum, fans get to see Robert Pattinson star as Eric Parker in David Cronenberg’s adaptation of Don DeLillo’s Cosmopolis.