“Porn, Cyberterrorism, The Russian Mob and the Future of Literature” A piece exploring the coming insurrection: digitization – and thus democratization – of books.
Fans of Seinfeld and Arrested Development might be interested in It’s Always Sunny in Philadelphia, a comedy about a band of hapless, self-interested pub owners in which slapstick hijinks obscure the fact that nothing much ever happens (for example: a wheelchair race/brawl in a mall between two characters pretending to be handicapped to get girls). The first episode of the fifth season premiers this Friday but you can watch past episodes free at FX.
“For Groff, it is not that there’s a clearly delineated line between the universal and the particular, but rather that they are nested like Russian dolls: every story of the particular is also an iteration of the universal.” This review of Lauren Groff’s Fates and Furies from 3:AM Magazine is great. Our interview with Groff from a few weeks ago makes a nice complementary read.
“I was dropping out of college and had begun a novel and returned to New York. A bookstore in Manhattan announced a rare reading and signing by Anthony Burgess, a primary hero of mine at the time, for his autodidact’s erudition and braggadocio, and for how he’d gentrified a number of outre genres just by picking them up and mingling them with his erudition and braggadocio.” At the LARB, Jonathan Lethem remembers a formative reading by the author.
The Guardian asked a bunch of authors, including Hilary Mantel, Geoff Dyer, and Ian Rankin, which books they “regularly reread and which novels they are desperate to unlock the secrets of.” Check out John Banville’s abiding fixation on the works on F. Scott Fitzgerald.
Can confessional writing be literary? Kelly Sundberg writes, “When I sit down to write literary writing about my trauma, I am a writer first, and a trauma survivor second, but I am not ever not a trauma survivor, and as such, I am often interested in examining the roots and effects of my own trauma.”