"The myth of the full-time writer is a perniciously sticky one—and it doesn’t help that once in a blue moon a J.K. Rowling does come along, thereby entrenching the cultural delusion that being a full-time writer is a thing that could realistically happen. But the truth is that being a full-time writer is basically just the literary equivalent of a career in the NBA." Liz Entman Harper talks with seven writers about the struggle to balance writing with a day job, and those interviews pair well with our own Emily St. John Mandel's look at "Working the Double Shift."
"This notion of investigation offers an alternative to confession. Its goal isn’t sympathy or forgiveness. Life is not personal. Life is evidence. It’s fodder for argument. To put the “I” to work this way invites a different intimacy—not voyeuristic communion but collaborative inquiry, author and reader facing the same questions from inside their inevitably messy lives." Year in Reading alum Leslie Jamison writes for The Atlantic about alternatives to the confessional mode in literature.
Is it another Beyoncé/Lemonade thinkpiece? Yes. Is it also more than that and worth your time to read? Yes. Terryn Hall at The Rumpus on Beyoncé, Erykah Badu, and being a black woman in the South: "Although Beyoncé is not ‘literary’ in a traditional sense, she’s using her power to usher in new black poetic (Warsan Shire) musical (Ibeyi, Chloe and Halley Bailey) and modeling (Jourdan Dunn, Zendaya) talent in a manner similar to that of the literary patrons of yesteryear."