Ron Charles calls Ann Patchett’s new State of Wonder “another dazzling work” with touches of Heart of Darkness and The Island of Doctor Moreau.
‘Dazzling’ State of Wonder
Dubliners 100
The 100th anniversary of the publication of James Joyce’s Dubliners occurs this month, and the occasion is being celebrated with the launch of Dubliners 100, a “reimagining and rewriting of the 15 original stories by a range of well-established and promising writers.” Among the modern writers lending their talents to the homage is Paul Murray (Skippy Dies), Donal Ryan (The Spinning Heart), and Pat McCabe (Butcher Boy).
●
●
Error 404: Identity Not Found
At Full-Stop this week, an interview with Joshua Cohen, whose new book, Four New Messages, spans “a wide geographic and narrative terrain.” Back in August, Johannes Lichtman gave his own take on the collection, as did Shannon Elderon at The Rumpus.
●
●
Storytelling Addict
“Storytelling, she added, is a central part of Native American life, and, inevitably an obsessive part of hers. ‘It’s probably the most selfish thing I do,’ she said. ‘Truly. I don’t do it for anyone else. I do it because I have the addict’s need to get lost in the story.’” Louise Erdrich discusses her new novel LaRose.
●
●
Brooklyn Was Mine
Paula Fox's ostensible review of L.J. Davis' A Meaningful Life in the current New York Review of Books is really (pace N1BR) a transporting memoir of Brooklyn in the '70s.
The Paris Review’s Roundtable
Paris Review editor Lorin Stein sat down alongside James Salter, Mona Simpson, and John Jeremiah Sullivan to discuss the magazine’s sixtieth anniversary with Charlie Rose. At one point Stein admits that, “If you wrote about sex the way Jim [Salter] writes about sex ... in nonfiction, you would be a sociopath.” (Bonus: Stein writes about John O’Hara for The New Yorker.)
One Of Us, One Of Us
"But even among its peers, Louie is an outlier. It is a show that, more than any other, both caters to this new kind of audience — the Laptop Loners — and has, as its creator, a member of the club...we are living in the iGeneration, in which the self is projected back toward the world via social media. But whereas many Americans weave their public personas from curated chains of cultural signifiers — think of the popular web platform tumblr, where users 'express themselves' by posting digital reproductions of existing images — [Louis] C.K. aims for something more penetrating, a filmic representation of his own psyche," claims the Los Angeles Review of Books.