Purveyor of popular nonfiction Erik Larson has a new book out this week, In the Garden of Beasts: Love, Terror, and an American Family in Hitler’s Berlin. The Snowman by Jo Nesbø is a new entry in the increasingly popular Scandinavian thriller genre. Inward-looking graphic novelist Chester Brown’s latest, Paying for It is out, and musician and actor Steve Earle can now add “novelist” to his resume with the release of I’ll Never Get Out of This World Alive. And new in paperback are a pair of big books, Brady Udall’s The Lonely Polygamist and Karl Marlantes’s Matterhorn.
“It’s true that when the world did not end when I predicted it would, at the end of last year, in my Netflix special Ragnarok, I realized a number of things, one of which was that I had not made a lot of professional or creative plans on the contingency that the world would continue. I just figured that it would end." Greg Hunter talks with John Hodgman at The Rumpus.
I've written before about Matthew Jockers's claim, as reported and presented by the Paris Review, that there are only about 6 plots in fiction. Now Dan Piepenbring returns to the Review to respond to critics who and attempt to answer the questions "is it really possible to assign every word a reliable emotional valence? And even if the answer is yes, can we really claim that all the plots in the history of literature take so few basic forms?"
“This is the first time that the college has embarked on such a robust process for measuring Core Educational Competency In Reading Things In Books And Writing About Them, and we really can’t do it without your mandated participation. We have devised this rubric in consultation with the Office of Institutional Research About the Institution, which tirelessly gathers data and then enters it into spreadsheets. Please see their Statement of Very Worthy Goals in attachment 6.”
How do you know when you’re finished writing a novel? Electric Literature’s advice column, The Blunt Instrument, tackles the timeless questions of how to begin and when to end. If it’s endings you’re after, this piece from The Millions on writers and last lines will help give you some closure.