As the world digests the news of the death of Osama Bin Laden, we offer a recommendation for Lawrence Wright’s masterful book The Looming Tower, which tells the history of Bin Laden and the terrorist movement that led to 9/11.
Bin Laden Book
Junot Díaz Cover Art
Junot Díaz’s forthcoming collection This is How You Lose Her now has cover art. It appears to be video game inspired.
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The Great Delay
From Slate comes an answer to the question: “Why did it take so long for The Great Gatsby to be recognized as a masterpiece?” Pair with our own Sonya Chung‘s review of the novel.
David Markson’s Personal Library
The London Review of Books Blog reports that the personal library of late novelist David Markson has been scattered among the stacks at New York’s Strand bookstore, filled with notes, check marks and underlined passages. Some comments found scrawled in his copy of DeLillo’s White Noise: “oh god the pomposity, the bullshit!” and “oh i get it, it’s a sci-fi novel!”
Disappearing Welsh
If there existed a trophy for the ugliest-looking but prettiest-sounding language, then the 721,700 living Welsh speakers would boast more championships than Alabama’s football team. Yes, the Welsh. They of the villages Llangefni and Llanfairfechan. (To say nothing of Llanfairpwllgwyngyll.) Wouldn’t it be a shame for such a language to disappear? For writing in this language to stop being published? Stanford’s Cynthia Haven thinks so.
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Appearing Elsewhere
AWP Attendees: Millions editor and founder C. Max Magee will be on a panel at AWP on Friday. “Ask Not What the Internet Can Do for You: Shifting Our Perspective on Internet Publishing as an Alternative to Major Market Publishing” will discuss electronic publications as central to the needs of 21st-century writers and readers, and not as entities serving as secondary iterations of preexisting publications. The panel is at 3pm in Virginia A Room, Marriott Wardman Park, Lobby Level. See you there!
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To the Edge of Sanity
Edmund Wilson famously said of the works of H.P. Lovecraft that “the only real horror in most of these fictions is the horror of bad taste and bad art.” In time, however, Lovecraft developed a substantial following, which raises the question of what attracted readers to his work. The answer? “The weird realism that runs through his writings undermines any belief system – religious or humanist – in which the human mind is the centre of the universe.” Related: Ben Dooley on the scariness of House of Leaves.
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