Probably the biggest literary debut the week is Arthur Phillips’ The Tragedy of Arthur, a faux memoir about the surfacing of a long-lost Shakespeare play. Also out this week is the first book from former Soft Skull head Richard Nash’s new venture Red Lemonade: Lynne Tillman’s Someday This Will Be Funny. And, finally, now out in paperback is Aimee Bender’s The Particular Sadness of Lemon Cake. (Our two reviews)
Haruki Murakami‘s Norwegian Wood has been dropped from one New Jersey school’s syllabus due to “some words and language that seemed to be inappropriate as far as the parents and some of the kids were concerned.” His publisher A. A. Knopf has issued a statement in response.
“So why should the stories about us always be about the bad stuff? We deserve the romantic comedy, the late night barfly scene, the silly, light-hearted stuff of life reflected back at us.” Camille Perri writes about the need for queer stories that are not rooted in sadness, trauma, or loss. Pair with: an essay on the commercial viability of LGTBQ literature.
“Marx the anti-Communist is an unfamiliar figure; but there were undoubtedly times when he shared the view of the liberals of his day and later, in which communism (assuming anything like it could be achieved) would be detrimental to human progress.” Wait, what? The New York Review of Books reviews Karl Marx: A Nineteenth-Century Life.
How was Charlotte Brontë at 8? According to her school reports, she “‘[wrote] indifferently’ and ‘[knew] nothing of grammar, geography, history, or accomplishments”. Of course, she went on to write Jane Eyre, and as The Guardian points out, many a famous writer received middling reports in school, so maybe there’s hope for other “indifferent’ writers.
Former nytimes.com design director Khoi Vinh tries to renew his digital subscription to the paper, and it doesn’t go well: “The total customer experience here is haphazard at best, and, at worst — I hate to say this because I am still friendly with many people at the company, but in truth there’s no way around it — it’s insulting.”