It’s a big week for literary new releases. Chris Adrian’s much anticipated new novel The Great Night is now out, as is Francine Prose’s My New American Life. Also new this week are Roddy Doyle’s latest collection of stories, Bullfighting, and the reissue of William Boyd’s impish prank of a book, Nat Tate: An American Artist. Finally, past Booker shortlister Linda Grant has a new novel out called We Had It So Good.
Emily Dickinson didn’t get out much, so why should we have to in order to read her work? Her open access manuscripts, letters, and envelope scribbles are now available online in the Emily Dickinson Archive. But now there’s controversy over who is the rightful owner of her manuscripts and who should shape the archives — Harvard or Amherst?
“I interrupted the making of this essay three times to record unrelated thoughts in my diary.” Our own Bruna Dantas Lobato writes at Ploughshares on record-keeping. For more of her writing, check out her piece on Juan Goytisolo’s 1970 novel Count Julian for The Millions.