Today at The Paris Review blog, Maud Newton talks to Philip Connors, author of Millions most-anticipated book Fire Season.
Maud Newton Talks to Philip Connors
The Inventor
There’s a new biography of Angela Carter on shelves. Is it worth your time, even if you’re not a fan? In The New York Review of Books, Alison Lurie gives the book a thorough read.
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You’re Obama
“And then Obama comes over to my desk with the speech, and he has a few edits. And he’s like, ‘I just want to go through some of these edits and make sure you’re ok with this. I did this for this reason. Are you ok with that?’ And I’m like, ‘Yeah, buddy. You’re Barack Obama.’” Jon Favreau, former chief speechwriter to President Obama, sits down with Longform.
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A Critic Turned Novelist
“Sometimes I think I’ve lost my nerve a little bit. I think it’s growing older, and a certain reservoir of anger literally runs out.” The Guardian interviews James Wood, author and book critic at The New Yorker, about his craft, his forthcoming novel Upstate, and the landscape of today’s literary criticism. Pair with: an essay about the greatness (and great influence) of Wood on a fellow novelist.
Writing as Profession
Writers can’t create original work without financial stability and a minimum amount of rest, writes Maggie Doherty in Dissent. Pair with Kate Angus’s Millions essay on making a living as a poet.
The Laughing Monsters Excerpt
Recommended reading: An excerpt from Denis Johnson‘s upcoming novel, The Laughing Monsters, is available from Work in Progress.
Soder v. Soda
The popularity of Joshua Katz’s American dialect maps inspired The Atlantic to create their own dialect video. In it, Atlantic staff members call people from across the country, recording them so listeners can hear their accents, and ask them to answer questions from a 2003 Harvard survey.
Jason Epstein on How Publishing Works
“Far more than any other medium, books contain civilizations, the ongoing conversation between present and past. Without this conversation we are lost. But books are also a business….” Jason Epstein explains how publishing works—and why, increasingly, it doesn’t, at the New York Review of Books. (via)