Yesterday, Amazon announced “Kindle Library Lending,” a new feature coming later this year that will allow users to go to their local libraries and “check out” books to their Kindle. The eBooks can be kept for about the same amount of time as a normal library book. The users can take notes in the margin, which, if they decide to buy the book or check it out again, will still be there. Technology!
“I wasn’t exactly feeling this. Still, I did try to rationalize what I was doing: maybe being altruistic and selfish at the same time was actually a good way to live, making sure sacrifice doesn’t go too far?” A psalm for a selfish hospice volunteer from Andy Mozina over at Electric Literature.
Recommended Reading: This piece on a digital afterlife — duplicating oneself via computer program — which is by turns troubling and oddly reassuring: “The human brain has about a hundred billion neurons. The connectional complexity is staggering. By some estimates, the human brain compares to the entire content of the internet. It’s only a matter of time, however, and not very much at that, before computer scientists can simulate a hundred billion neurons.”
Beginning with the same premise—one can only read so many books in a given lifetime—two authors write very different articles: Maria Bustillos lists the recommendations of George Orwell, Henry Miller, and John Waters that she’s followed in an effort to maximize her short reading life. Marc Wortman wonders if authors are being paid by the page and, given our short lives, whether we should even bother with the behemoth volumes coming out recently.
New releases this week include The Signature of All Things by Eat, Pray, Love author Elizabeth Gilbert, which you can learn more about in Steve Almond’s review for the Times. Also out: The Hired Man by Aminatta Forna; The Pure Gold Baby by Margaret Drabble; Half the Kingdom by Lore Segal; The Night Guest by Fiona MacFarlane; The Daylight Gate by Jeanette Winterson; Personae by Hall of Famer Sergio de la Pava; and The Karl Kraus Project by Jonathan Franzen.