New this week is Sarah Vowell’s Unfamiliar Fishes (reviewed here) along with new story collections from E.L. Doctorow (All the Time in the World) and Jim Shepard (You Think That’s Bad). Also new this week is Kate Atkinson’s latest Jackson Brodie mystery Started Early, Took My Dog and Paul McEuen’s debut mixing “science and suspense” Spiral. Out in paperback is Millions Hall of Famer A Visit from the Goon Squad by Jennifer Egan.
People Who Eat Darkness author Richard Lloyd Parry’s forthcoming book on the Tōhoku earthquake and its aftermath, Ghosts of the Tsunami, will be released some time in late summer/early fall, and BBC Radio put together a 30-minute teaser to tide you over until then. You can also check out Parry’s moving yet unsettling piece for the London Review of Books.
Think you know your Arthur Conan Doyle from your Agatha Christie? This week, The Guardian quizzes you on the book covers of classic crime novels. In case you missed it, previous weeks featured science fiction and literary classics.
“One Friday evening in March, I took the train to Columbia University and walked into one of the strangest and most interesting classes I’d ever seen. It was the Laboratory of Literary Architecture, part of the Mellon Visiting Artists and Thinkers Program at Columbia University School of the Arts, and a multimedia workshop in which writing students, quite literally, create architectural models of literary texts.”
“There is, however, more to these poems than just the occasional chuckle. The Google autocomplete suggestions are based on previous searches by actual people all around the world. In the cold blue glow of their computer screens, they ask ‘why am I alone’ and ‘why do fat girls have high standards’. They wonder how to roll a joint and whether it is too early to say ‘I love you’. They seek information on ninjas, cannibals, and Rihanna, and sometimes they just ask ‘am I better off dead?’”
“War veterans experience something called hypervigilance, a mental state of continual alertness for danger. I have a minor version of this, a writer’s version. For me, danger lies in the sound of a footstep, a spoken word. Anyone could destroy the fragile construction I have to make each day.” Roxana Robinson writes for VQR about the writer’s need for solitude. For more from Robinson, be sure to check out her essay for The Millions on Edith Wharton.