The changes between the transcription of David Foster Wallace reading ‘A fragment of a longer thing’ in 2000 and the version of that story ‘Backbone’ as published in the recent New Yorker. (via The Paris Review)
Recommended Reading: Nathan Scott McNamara writes for The Atlantic on why we need indie publishers. “Eighty percent of U.S. books are produced by the Big Five publishers, but with each passing year—and with a stable small number of annual releases—independent presses are earning more of the literary conversation, gaining frequent articles and reviews in The New York Times, The Guardian, The New Yorker, and more.” You could also read Rebecca J. Novelli’s thoughts on Roberto Calasso’s The Art of the Publisher.
The Toast may be closing its doors soon, but that doesn’t mean it isn’t still putting out hilarious pieces. This week, it’s Vape Aficionado’s Guide to Finding a Token Lady-Writer, featuring such gems as: “Margaret Atwood: Because she’s good at Twitter and you forgot how to spell ‘Le Guin,'” and “George Eliot: Whoops, you thought George was a dude, didn’t you? Purely accidental, but it still counts!”
Walter White is the new Walt Whitman. “Both are intellectual pioneers in their fields, their legacies—centuries apart—demanding risk, casting them outside of society, gliding out into the world, liberated from societal constraints,” Kera Bolonik writes about Whitman’s influence on Breaking Bad.