The cover for Haruki Murakami’s long-awaited 1Q84 has been unveiled. The book is due out in October.
Millions alumna Emily M. Keeler interviewed author David Gilmour for Hazlitt’s Shelf Esteem blog. In the process (and perhaps because he was distracted by “a Frenchman”) the author voiced some opinions on female authors that have been called “ill-informed,” “careless and offensive,” and “staggeringly narrow-minded and parochial.” The ongoing kerfuffle prompted Hazlitt to share the unedited transcript from Keeler’s interview, and it’s clear that Gilmour’s remarks were not taken out of context.
Just about every review of Virginia Zaharieva’s Nine Rabbits calls attention to its “narrative virtuosity” and the way it “packs several genres into one.” That might sound like empty praise until you check out this excerpt for yourself, and see that the book is not only a memoir, and a coming-of-age story, but it’s also a cookbook.
“If I have a critique of American letters, it’s that the average American doesn’t read broadly enough, not enough work in translation, that we’re too isolated, too narrow in our reading habits, still too locked into boxes like the one built out of white male heteronormativity.” M. Bartley Seigel, outgoing co-editor of PANK Magazine, on his impressions of American literature. Pair with our piece on the submission processes at literary magazines.
Muna Mire has written an incisive and timely essay for The New Inquiry on the Black Feminist classic Black Macho and the Myth of the Superwoman by Michele Wallace. Coinciding with last month’s reissue of Black Macho by Verso Books, Mire’s essay discusses justified anger rightly-directed and the potential utility of Wallace’s “Black Movement” in the context of today’s racially-charged political climate.
“Bengali children’s fiction’s limitless supply of ghost stories is matched by little other than its readers’ appetite for it,” writes Siddharthya Swapan Roy. “Anthologies dedicated to ghostly thrills come out with unfailing regularity and every publishing house that does not wish to upset its child readership pays due respects to ghosts and their stories.”