Attention Sassy and Jane fans: Infant savant/fashion blogger Tavi Gevinson and Jane Pratt (founder of Sassy and Jane) are starting a new magazine. The publication’s a bit of a mystery right now (no name or website yet), but if you want to be notified when the project launches, click here to get on the e-mail list.
Jane Pratt & Tavi Gevinson’s New Rag
Landlines, as Seen in Nabokov, Kafka, and More
Feeling Fraudulent
“Whenever I tried to invent a character or a situation, I felt a stab of guilt. I could hear my teacher’s quavering voice saying, Write what you know! Why had she insisted on this so vociferously?” Writing class mantras are easy to impart but they are also easily misinterpreted. A.X. Ahmad, author of The Last Taxi Ride and The Caretaker, learns this truth the hard way as he tries to become a writer following a personal upheaval. Pair with Ahmad’s Millions essay on “The Thriller, Reinvented.”
Seeking Order in Chaos
“Writing an autobiography was therapeutic and traumatic at times, but unlike the novel it continues its therapies and trauma long after I’ve written it.” Laura van den Berg interviews Porochista Khakpour about the differences between novels and memoirs, structure, and Khakpour’s upcoming memoir, Sick. (Sick is one of our most anticipated June releases).
Roxane Gay at AWP
Watch Year in Reading alum Roxane Gay discuss Bad Feminist at AWP via PBS. You could also read our review of Gay’s first novel, An Untamed State.
Scribblenauts
In a digital age, what’s the point of handwriting? It may seem like there isn’t much point to honing one’s penmanship these days. In Hazlitt, Navneet Alang suggests that handwriting, far from being a lost art, is in fact a “useful alchemy” that retains particular uses. You could also read our own Kevin Hartnett on writing by hand.