“That’s always been part of my goal — to show the dark side of women. Men write about bad men all the time, and they’re called antiheroes. … What I read and what I go to the movies for is not to find a best friend, not to find inspirations, not necessarily for a hero’s journey. It’s to be involved with characters that are maybe incredibly different from me, that may be incredibly bad but that feel authentic.” Gillian Flynn and Cheryl Strayed talk with The New York Times about the adaptations for Gone Girl, Wild, and writing credible characters. Their conversation pairs well with our own Edan Lepucki‘s essay on likability in fiction.
Over at Indian Country Today Media Network, read a statement in response to the controversy surrounding J.K. Rowling’s History of Magic in North America. “What matters here, folks, in this debate over J.K. Rowling’s latest work is the language society uses – the language that is still taught to kids in schools today about Native Americans and our spiritualities.”
Last week, I pointed readers to a recording of Benedict Cumberbatch on BBC Radio, reading Kafka’s Metamorphosis. Over at Slate, Rebecca Schuman explains why Cumberbatch is the story’s ideal reader, unpacking his “withering, perfectly enunciated deadpan.”