“Behind every great work, there is an ink-stained piece of notebook paper.” Here is the first page of a handwritten draft of Infinite Jest.
First Draft of Infinite Jest
The Character of Retreat
Part Into the Wild, part Portrait of the Artist as a Young Man, Howard Axelrod’s The Point of Vanishing is the story of his two years spent in profound solitude in the Vermont wilderness. Called “torture” by prison rights activists and “a threat to mental stability” by psychologists, Axelrod’s decision to sequester himself from society was nothing if not extreme. Alexander Supertramp would be proud.
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“A rabbi…once said all Western literature was commentary on the Torah. I’ll buy that exaggeration”
Seventeen Jewish authors weigh in on the question "is there such a thing as Jewish fiction?," recalling Gabriel Brownstein's excellent inquiry, "Are You, Or Have you Ever Been, a Jewish Writer?"
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RIP Black Pepper
Looking to amplify the taste of your favorite dish? Ditch the black pepper, writes Sara Dickerman, and instead opt for chili-based hot sauce. I vote Sriracha.
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Rounding Out Frost’s “Monster Myth”
Over at the New York Times, Jennifer Schuessler previews a forthcoming collection of Robert Frost’s correspondence. It’s a collection, she says, that will go a long way toward rounding out the flat “monster myth” that’s subsumed the poet’s afterlife.
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Sound-Word Index: Say What You Really Feel
Emoticons are unbelievably passé, right? And GIFs are just too much work, right? It’s time to better utilize our technological advancements. Behold The Sound-Word Index, a project by Blanche de Lasa, Stina Gromark, and James Godwin that can use “sound, volume and rhythm” to “help to translate our emotions hidden behind our screens.”
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Bent Relics of Adolescence
Don DeLillo has a new short story in The New Yorker, about a teenage boy in the midst of his parents’ divorce. Delillo spoke with Deborah Treisman about the character’s obsession with words and how he sees his identity in light of his parents’.
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