A belated welcome to the newest Millions staff writer Janet Potter. Janet is a Chicago writer and indie bookstore vet who’s already written several pieces for us on a number of books, most notably her controversial takedown of Stieg Larsson.
A Belated Welcome
A New Native American Epic
There There by Tommy Orange is one of our most anticipated books of the year. It debuts next week and this week Orange receives the New York Times treatment along with a few other rising star indigenous writers in an excellent profile. “Mr. Orange is part of a new generation of acclaimed indigenous writers from the United States and Canada who are publishing groundbreaking, formally innovative poetry, fiction and prose, shattering old tropes and stereotypes about Native American literature, experience and identity. Their ranks include poets like Layli Long Soldier, Natalie Diaz, Joshua Whitehead and Tommy Pico, and the essayists and memoirists Elissa Washuta and Terese Marie Mailhot.
Barrelhouse to Start Paying
Beginning with issue 12, Barrelhouse will start paying contributors. Prepare your submissions, everybody.
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“A life spent at one’s desk is a life spent alone.”
Recommended Viewing: Charlie Rose sits down with Donna Tartt for the author’s only American television interview since releasing her latest novel, The Goldfinch. (Related: Adam Dalva fears that Tartt may have been “following me around with her notebook in hand for the last 14 years.”)
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Reading Biblical Narrative
Philip Esler’s new book Sex, Wives, and Warriors: Reading Biblical Narrative with its Ancient Audience, reintroduces our culture to some of the Bible’s most dramatic narratives.
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Don’t Assume
“I asked myself – why don’t I state the race of my characters? And am I doing something wrong by not explicitly including a diverse cast of characters? Could I be doing something better? The short answer is yes.” An argument in favor of race bent fanfiction and resisting assumedly white characters from The Missouri Review blog.
Writing Heartbreak
Learn more about Hans Christian Andersen Award winner Cao Wenxuan. “China has given us so many heartbreaking stories. How can you avoid writing about them? I can’t sacrifice my life experience in order to make children happy.” Pair with Edan Lepucki’s piece on the grown-up counterparts to children’s stories.
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