Lots of new books out this week: Where Mortals Sleep, previously unpublished short fiction by Kurt Vonnegut, with a foreword by Dave Eggers; A Life, one of what will be several biographies of J.D. Salinger arriving over the next couple of years; Stanley Fish tells us How to Write a Sentence: And How to Read One; Brian Greene introduced the masses to string theory with The Elegant Universe, and now he’s back with The Hidden Reality: Parallel Universes and the Deep Laws of the Cosmos; Julie Orringer’s The Invisible Bridge is out in paperback; and finally, from Penguin Classics, The Penguin Book of Victorian Women in Crime: Forgotten Cops and Private Eyes from the Time of Sherlock Holmes.
Tuesday New Release Day: Vonnegut, Salinger, Crime-Fighting Victorian Women, and More
Zbigniew Herbert on Leonardo da Vinci
With the publication of Polish poet Zbigniew Herbert’s The Collected Prose: 1948-1998 this week, the New York Review of Books Blog posts his essay on Leonardo da Vinci.
The Common’s Postcard Auction
Our friends at The Common have organized a Postcard Auction, and you have until May 20 to bid online. Users can bid on the chance to have well-known authors – such as Adam Johnson, Téa Obreht, Chris Ware, and Kiese Laymon – send handwritten postcards to the address of their choosing. Come on, now. This is your chance to get a handwritten note from an Orange Prize-winner.
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“Ish” Writes to Granta
From Granta, we learn that Kazuo Ishiguro likes to go by “Ish.”
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The Point of the Hero
“Our culture claims to celebrate vigor and well-being, yet holds up steroid-addled men and impossibly thin women as models of physical perfection. Those of us unwilling to juice or starve ourselves are left feeling inadequate and confused about why we do not bear any resemblance to the humans we are meant to emulate.” Michael Ian Black reviews two books about the male physique — and reveals a bit about the unrealistic nature of our cultural expectations.
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Little Emotions in the Person
Recommended Reading: On Laura Ingalls Wilder’s Little House on the Prairie and the art of hiding one’s feelings — whether helpful or detrimental.