New out this week is Gryphon, Charles Baxter’s new collection of stories. Joseph McElroy also has a new collection of stories out, Night Soul. The latest McSweeney’s (featuring that fragment from an abandoned novel by Michael Chabon) is now available, and new in paperback is Peter Carey’s Parrot and Olivier in America. Many more new books to look forward to, of course, in our massive preview published last week.
Tuesday New Release Day: Baxter, McElroy, McSweeney’s, Carey
Professor Díaz
Junot Díaz has criticized MFA programs for being “too white.” So what’s on his syllabi? Salon found the syllabi for the two courses Díaz teaches at MIT. In his fantasy world-building class, students read everyone from Bram Stoker to Octavia Butler. His advanced fiction course includes stories by Edwidge Danticat and Roberto Bolaño. Where can we sign up?
Creative Walking
Expert walker and poet Jon Cotner, coauthor of Ten Walks/Two Talks, will lead a set of excursions on NYC streets during the month of June. Walkers will be given two lines to repeat to strangers, in an attempt to break down social barriers: “Anonymity dissolves. Spontaneous societies arise.”
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LMAOR
Andy Borowitz (of The Borowitz Report) picks five novels “that are enough to make anyone laugh.”
A Screwball Tragedy
“Expertly constructed, Mister Monkey is so fresh and new it’s almost giddy, almost impudent with originality. Tender and artful, Prose’s 15th novel is a sophisticated satire, a gently spiritual celebration of life, a dark and thoroughly grim depiction of despair, a screwball comedy, a screwball tragedy.” Cathleen Schine reviews Francine Prose’s newest novel, Mister Monkey, over at The New York Times.
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Abandon All Hope
Man, if Ian McEwan has crises of faith in fiction, how should the rest of us feel? Good question.
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Lev Grossman on Aspiring Writers
Lev Grossman offers some words of encouragement for aspiring writers: “because it turns out that talent, whatever that is, and that glowy aura, are only part of the picture.”
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Grappling with Language
“Aposiopesis: To cut short a trash-talking opponent mid-taunt by suplexing him. Can also be used in political debates.” Matt Seidel walks readers through a glossary of rhetorical wrestling terms.
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