At W, a first look at American actress Rooney Mara in character as Lisbeth Salander. The relatively unknown Mara, recently of David Fincher‘s The Social Network, has been cast as Salander to Daniel Craig‘s Mikael Blomkvist in Fincher’s American film version of Stieg Larsson‘s The Girl With The Dragon Tattoo. The obvious question: does Mara have the chops to outshine Noomi Rapace‘s Salander?
“The lie I told most often in my twenties during the Reagan era was that I liked other people’s children although I didn’t intend to have my own.” For The Rumpus, Kyoko Mori writes an essay on the choice to raise animals instead of children. Pair with: an essay on the complexities of motherhood.
Catch it while you can: Charlie Rose‘s hour-long interview with Pedro Almodóvar and his muse, Penélope Cruz, touches on character, confidence, and control, and is currently available online. Almodóvar’s latest film, Broken Embraces, which I saw last summer in Madrid sans subtitles, was so visually stunning and well-acted that despite my meager translation the film enthralled. With a proper translation, it should be ravishing.
Dutch researchers are using moistened electrode caps to measure the brain waves, heart rate, galvanic skin response and facial expressions on an author and fifty of his readers. They hope to find patterns “that may help illuminate links between the way art is created and enjoyed, and possibly the nature of creativity itself.”
Another packed line-up: New this week is Stephen King’s 11/22/63, Umberto Eco’s The Prague Cemetary, Ingo Schulze’s, and Adam and Evelyn (all three of which were previewed by us). We also have new biographies of Kurt Vonnegut and Catherine the Great. And new in paperback, sometime Millions contributor Matthew Gallaway’s The Metropolis Case.