At Condalmo, Matthew Tiffany‘s review of David Lipsky’s new book, Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace: “You can’t go more than two or three pages without Lipsky’s shadow falling over the text. And you aren’t reading this book for the Lipsky, are you? The biggest problem here is that, like it or not, his fingerprints are all over it. And I didn’t like it.”
Amazon, whose tense negotiations with Hachette in the past months have led them to slow ship-times for its books, offered last night “to fund 50% of an author pool—to be allocated by Hachette—to mitigate the impact of this dispute on author royalties, if Hachette funds the other 50%.” Of course, Hachette may find calculating and allocating damages awkward so soon after authors flexed their social-media muscle. Sidebar: Amazon claimed “989 of 1000” items sold would be unaffected by this continuing “business interruption,” which might mean a full 1.1 percent of their business comes from just one mid-sized traditional publisher—heartening news from an unlikely source.
Two years ago, Allison Parrish produced a diary of an expedition through “fantastical places that do not exist.” The twist? The diary was generated by a computer program, which extracted more than 5,700 sentences drawn from Project Gutenberg and later recombined at random by “switching out grammatical constituents.” An extract of the finished work, interspersed with Parrish’s nonfiction essay, can be read here.
Sci-fi writers are partly judged on how well they can predict where society is headed. There’s a reason that books with uncannily accurate forecasts of the future capture our interest long after their release. At Salon, William Gibson admits one way in which he got things wrong: he didn’t foresee the rise of social media. You could also read our own Bill Morris on Gibson’s Zero History.
France’s top literary award, the Prix Goncourt, has been awarded to the French-Moroccan journalist and novelist Leïla Slimani, The New York Times reports. Slimani’s book, Chanson Douce, is loosely based on a tragic case in New York City in which two children were murdered by their caretaker. Earlier this year we reviewed another book that was a finalist for the prize, The Heart.