“Given his devotion to empirical fact, it seems odd to think that Galileo’s most important ideas might have their roots not in the real world, but in a fictional one.” Galileo’s crucial contributions to physics may have come from measuring the hell of Dante’s Inferno.
The Library of America celebrates the publication of Sherwood Anderson: Collected Stories by posting audio recordings of nine famous writers reading ten of Anderson’s famous works. Hop on over to hear readings by Charles Baxter, Siri Hustvedt, Ben Marcus, Rick Moody, and Patricia Hempl.
According to the New York Post, a new installation by British artist Antony Gormley–life-sized, cast iron sculptures of men placed on rooftops and building ledges around the city–has caused some New Yorkers and NYPD officers to take the sculptures for live jumpers. Oh, the price of art!
We’ve already decided that it’s okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. “I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked,” Cheryl Strayed said.
Over at The Atlantic, Terrence Rafferty claims that women are writing the best crime novels. “Their books are light on gunplay, heavy on emotional violence. Murder is de rigueur in the genre, so people die at the hands of others—lovers, neighbors, obsessive strangers—but the body counts tend to be on the low side,” he writes. Pair with this Millions piece on novels where women are true detectives.