The Mystery Writers of America has announced the nominees for the 2011 Edgar Allan Poe Awards [pdf]. Nominees include Tana French for Faithful Place and Victoria Bond and T.R. Simon for Zora and Me (featuring Zora Neale Hurston, girl detective).
When did romance novels get such a bad rep? They weren’t always derided as somehow lesser than other books. At Jezebel, Kelly Faircloth delves into the history of the modern romance novel, exploring how particular stereotypes latched on to the popular genre. You could also read Julia Fierro on sex and the literary writer.
Harry Potter fans, rejoice! Little, Brown UK and Scholastic will be publishing the script book for Harry Potter and the Cursed Child, the new play written by Jack Thorne. It’s a good time to revisit Michelle Dean’s essay reflecting on the close of the Harry Potter series.
Here at The Millions, we know the importance of a book’s cover (for evidence see here, here, here and here), so Margaret Sullivan‘s new project, Jane Austen Cover to Cover, has our attention. A sample of covers for Emma, available on The Paris Review‘s blog, “provides a fascinating glimpse into a variety of publishing cultures, and it reminds that even our classics are mutable, pitched to appeal to any number of sensibilities, their literary status in constant flux per the dictates of the market.”
Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the “Elmore Leonard paradox” in The Atlantic. “Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir.” Pair with: Our own Bill Morris’s essay on why Leonard was such a good writer.